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  3. Gondola, Evening in Venice
Gondola, Evening in Venice, Eugène Vail, c. 1900-1920

Gondola, Evening in Venice

c. 1900-1920 · Drawing

Angaben

c. 1900-1920
18571934
Inventarnummer
2015.19.567

Mehr von Eugène Vail

Alle Werke

Nachbarn im Haus: National Gallery of Art

Museumsseite

Zum selben Thema · Venice

Alle Werke zum Thema
Eugène Vail, PorträtEugène VailVereinigte Staaten, 1857–1934

Darf man es sehen?

Empfängt derzeit nicht

National Gallery of Art

Washington, D.C., Vereinigte Staaten

Es gehört zur Sammlung, ist derzeit aber nicht ausgestellt.

Geprüft
vor 3 Tagen
Unverändert seit
19. Aug. 2026
Quelle
Das Museum
Auf der KarteMuseumsseite

Was es zeigt

VeniceWasserGondolaEveningBuildingsCityscape

Im Katalog

Zeichnungen & AquarelleKohleImpressionismusModerne20. JahrhundertAmerican

Quellen

  • National Gallery of Art
  • Bild: National Gallery of Art — Museum open access
Along the Riva, Eugene Laurent Vail, n.d.

Along the Riva

n.d. · Smithsonian American Art Museum

Barques à Concarneau, Eugène Lawrence Vail, 19th century

Barques à Concarneau

19th century · Musée d’Orsay

Study for "Pêcheurs de la mer du Nord" (Study for "Fishermen of the North Sea"), Eugène Vail, c. 1893

Study for "Pêcheurs de la mer du Nord" (Study for "Fishermen of the North Sea")

c. 1893 · Nicht ausgestellt · National Gallery of Art

Memory of Venice: the Palazzo Ducale and the Piazzetta, Eugène Vail, c. 1900-1920

Memory of Venice: the Palazzo Ducale and the Piazzetta

c. 1900-1920 · Nicht ausgestellt · National Gallery of Art

The Piazzetta, Venice, Eugène Vail, c. 1900-1920

The Piazzetta, Venice

c. 1900-1920 · Nicht ausgestellt · National Gallery of Art

Bridge, Venice, Eugène Vail, c. 1900-1920

Bridge, Venice

c. 1900-1920 · Nicht ausgestellt · National Gallery of Art

Reflections, Venetian Canal, Eugène Vail, c. 1900-1920

Reflections, Venetian Canal

c. 1900-1920 · Nicht ausgestellt · National Gallery of Art

Venetian Bridge, Eugène Vail, c. 1900-1920

Venetian Bridge

c. 1900-1920 · Nicht ausgestellt · National Gallery of Art

Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Bildnis der Ginevra de’ Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Junges Mädchen, vor einem Weizenfeld stehend, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Bauernhof in der Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Palazzo da Mula, Venice, Claude Monet, 1908

Claude Monet

Palazzo da Mula, Venice, 1908

National Gallery of Art

Piazza San Marco, Canaletto, late 1720s

Canaletto

Piazza San Marco, late 1720s

Metropolitan Museum of Art

Venetiaanse pantoffelparade, Giovanni Battista Tiepolo, 1740 - 1760

Giovanni Battista Tiepolo

Venetiaanse pantoffelparade, 1740 - 1760

Rijksmuseum Amsterdam

Wise-eyed Alan Ansen, Polymath expatriate & eccentric, at San Sammuelle motorscaffe station, half-street from his apartment 3219 della Carrozza where Peter Orlovsky & I spent happy summer 1957- Ansen also hosted Wm. Burroughs & Gregory Corso. Harvard Classics summa cum laude 1942, Poet, critic, he was secretary & Prosodic Conscience to W.H. Auden during early 40’s _Age of Anxiety_, thereafter lifelong intimate of Auden & companion Chester Kallman-- as with William Burroughs whose _Naked Lunch_ & later ravings he helped type & edit in Tangier 1957 & 1961. A familiar at San Remo village bar & Kerouac's companions' revels in late 1940's, he's sketched as "Rollo Grab" in _On the Road_, "Ronald Swenson" in _Visons of Cody_ and _Book of Dreams_, "Austin Bromberg" in _The Subterraneans_ & Amadeus Baroque, _Doctor Sex_...., Allen Ginsberg, 1957, printed 1995

Allen Ginsberg

Wise-eyed Alan Ansen, Polymath expatriate & eccentric, at San Sammuelle motorscaffe station, half-street from his apartment 3219 della Carrozza where Peter Orlovsky & I spent happy summer 1957- Ansen also hosted Wm. Burroughs & Gregory Corso. Harvard Classics summa cum laude 1942, Poet, critic, he was secretary & Prosodic Conscience to W.H. Auden during early 40’s _Age of Anxiety_, thereafter lifelong intimate of Auden & companion Chester Kallman-- as with William Burroughs whose _Naked Lunch_ & later ravings he helped type & edit in Tangier 1957 & 1961. A familiar at San Remo village bar & Kerouac's companions' revels in late 1940's, he's sketched as "Rollo Grab" in _On the Road_, "Ronald Swenson" in _Visons of Cody_ and _Book of Dreams_, "Austin Bromberg" in _The Subterraneans_ & Amadeus Baroque, _Doctor Sex_...., 1957, printed 1995

Nicht ausgestellt · National Gallery of Art

Venice: The Dogana and San Giorgio Maggiore, Joseph Mallord William Turner, 1834

Joseph Mallord William Turner

Venice: The Dogana and San Giorgio Maggiore, 1834

National Gallery of Art

The Dogana and Santa Maria della Salute, Venice, Joseph Mallord William Turner, 1843

Joseph Mallord William Turner

The Dogana and Santa Maria della Salute, Venice, 1843

Nicht ausgestellt · National Gallery of Art

Approach to Venice, Joseph Mallord William Turner, 1844

Joseph Mallord William Turner

Approach to Venice, 1844

National Gallery of Art

Venice, from the Porch of Madonna della Salute, Joseph Mallord William Turner, ca. 1835

Joseph Mallord William Turner

Venice, from the Porch of Madonna della Salute, ca. 1835

Metropolitan Museum of Art