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  3. Gladiators
Gladiators, Giorgio de Chirico, 1928
Giorgio de Chirico, PorträtGiorgio de ChiricoItalien, 1888–1978

Gladiators

1928 · Print

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Art Institute of Chicago

Chicago, Vereinigte Staaten

Es gehört zur Sammlung, ist derzeit aber nicht ausgestellt.

Geprüft
vor 3 Tagen
Unverändert seit
19. Aug. 2026
Quelle
Das Museum
Auf der KarteMuseumsseite

Angaben

1928 · mit 40 Jahren
18881978
Inventarnummer
1954.1034

Im Katalog

DruckgrafikRadierungModerne20. JahrhundertItalien

Quellen

  • Art Institute of Chicago
  • Bild: Art Institute of Chicago — © the artist or rights holder

Derweil im Leben von Giorgio de Chirico

Das ganze Leben
  1. 1926

    The break with the Surrealists

    De Chirico's relationship with the Surrealists grows increasingly contentious as they publicly disparage his new work; by 1926 he has come to regard them as “cretinous and hostile.” They soon part ways in acrimony.

  2. 1928

    A first exhibition in New York, then in London

    In 1928 de Chirico holds his first exhibition in New York City and, shortly afterwards, in London.

  3. 1929

    The novel “Hebdomeros” appears

    In 1929 (by other accounts, in 1925) de Chirico's novel “Hebdomeros, the Metaphysician” appears; around then he also writes essays on art and other subjects. The poet John Ashbery has called the book probably the finest major work of Surrealist fiction.

  4. 1929

    Stage designs for Sergei Diaghilev

    In 1929 de Chirico makes stage designs for Sergei Diaghilev.

  5. 1929–1930

    Illustrations for Apollinaire's “Calligrammes”

    In 1929–1930 de Chirico creates illustrations for Guillaume Apollinaire's “Calligrammes” — the poet who was among the first to praise his work and who helped introduce it to the later Surrealists.

  6. 1930

    Meeting Isabella Pakszwer

    In 1930 de Chirico meets Isabella Pakszwer Far (1909–1990), a Russian, with whom he will remain for the rest of his life; his marriage to Raissa Gurievich ends in divorce in 1931.

Mehr von Giorgio de Chirico

Alle Werke
The Scholar's Playthings, Giorgio de Chirico, 1917

The Scholar's Playthings

1917 · Minneapolis Institute of Art

The Serenity of the Scholar, Giorgio de Chirico, Paris, April-May 1914

The Serenity of the Scholar

Paris, April-May 1914 · Museum of Modern Art

Gare Montparnasse (The Melancholy of Departure), Giorgio de Chirico, Paris, early 1914

Gare Montparnasse (The Melancholy of Departure)

Paris, early 1914 · Museum of Modern Art

The Double Dream of Spring, Giorgio de Chirico, Paris, January-May 1915

The Double Dream of Spring

Paris, January-May 1915 · Museum of Modern Art

The Philosopher's Conquest, Giorgio de Chirico, 1913–14

The Philosopher's Conquest

1913–14 · Art Institute of Chicago

Untitled, Giorgio de Chirico, c. 1926

Untitled

c. 1926 · Art Institute of Chicago

Меланхолия поэта, Giorgio de Chirico, 20th century

Меланхолия поэта

20th century · Puschkin-Museum

The Nostalgia of the Infinite, Giorgio de Chirico, Paris 1912-13? (dated on painting 1911)

The Nostalgia of the Infinite

Paris 1912-13? (dated on painting 1911) · Nicht ausgestellt · Museum of Modern Art

Nachbarn im Haus: Art Institute of Chicago

Museumsseite
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Ein Sonntagnachmittag auf der Insel La Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Straße in Paris an einem regnerischen Tag, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

Auf der Terrasse, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

The Basket of Apples, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942