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  3. Gen. U.S. Grant
Gen. U.S. Grant, William Edgar Marshall, 1868

Gen. U.S. Grant

1868 · Print

Angaben

1868 · mit 31 Jahren
18371906
Inventarnummer
2000.104.2

Mehr von William Edgar Marshall

Alle Werke

Nachbarn im Haus: National Gallery of Art

Museumsseite

Zum selben Thema · Bust facing right

Alle Werke zum Thema
William Edgar Marshall, PorträtWilliam Edgar MarshallVereinigte Staaten, 1837–1906

Darf man es sehen?

Empfängt derzeit nicht

National Gallery of Art

Washington, D.C., Vereinigte Staaten

Es gehört zur Sammlung, ist derzeit aber nicht ausgestellt.

Geprüft
vor 3 Tagen
Unverändert seit
19. Aug. 2026
Quelle
Das Museum
Auf der KarteMuseumsseite

Was es zeigt

Bust facing rightCivil WarGeneralGrant, Ulysses S.

Im Katalog

DruckgrafikKupferstichRealismusImpressionismus19. JahrhundertAmerican

Quellen

  • National Gallery of Art
  • Bild: National Gallery of Art — Museum open access
Abraham Lincoln, William Edgar Marshall, 1866

Abraham Lincoln

1866 · Nicht ausgestellt · National Gallery of Art

George Washington, William Edgar Marshall

George Washington

Smithsonian American Art Museum

Portrait of the Artist, Age 23, William Edgar Marshall, ca. 1860

Portrait of the Artist, Age 23

ca. 1860 · Smithsonian American Art Museum

George Washington, William Edgar Marshall, 1862

George Washington

1862 · National Portrait Gallery

Abraham Lincoln, William Edgar Marshall, 1866

Abraham Lincoln

1866 · National Portrait Gallery

Ulysses S. Grant, William Edgar Marshall, 1868

Ulysses S. Grant

1868 · National Portrait Gallery

Henry W. Longfellow, William Edgar Marshall, 1881

Henry W. Longfellow

1881 · Nicht ausgestellt · Minneapolis Institute of Art

Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Bildnis der Ginevra de’ Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Junges Mädchen, vor einem Weizenfeld stehend, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Bauernhof in der Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Self-Portrait of Rembrandt, Georg Friedrich Schmidt, after Rembrandt van Rijn, 1771

Rembrandt van Rijn

Self-Portrait of Rembrandt, 1771

Nicht ausgestellt · National Gallery of Art

William S. Burroughs slightly zonked, his dooryard-garden wall Villa Muneria, looking at me suspiciously, "Who are you an Agent for?" He "traced back along word-lines," cut-up technique of anti-brainwash language analysis, inquiring sources of my mental conditioning, perhaps Liberal Professor Trilling, perhaps "a trust of giant insects from another Galaxy" conspiring to make Nova Conditions on our Planet, exterminate HomoSap the Human animal so another life-form, virus invasion, move in on the Turf, such like poetries on his mind. Timothy Leary visited from Harvard, we took small amount of psilocybin, Bill shut himself inside his garden gate with a wave of his hand, allergic, paranoia season. Peter Orlovsky departed alone, ship to Athens, Bill employed for Scandinavia L.S.O. Conference leaving Gregory Corso and myself waving him goodbye, Allen Ginsberg, 1961, printed 1995

Allen Ginsberg

William S. Burroughs slightly zonked, his dooryard-garden wall Villa Muneria, looking at me suspiciously, "Who are you an Agent for?" He "traced back along word-lines," cut-up technique of anti-brainwash language analysis, inquiring sources of my mental conditioning, perhaps Liberal Professor Trilling, perhaps "a trust of giant insects from another Galaxy" conspiring to make Nova Conditions on our Planet, exterminate HomoSap the Human animal so another life-form, virus invasion, move in on the Turf, such like poetries on his mind. Timothy Leary visited from Harvard, we took small amount of psilocybin, Bill shut himself inside his garden gate with a wave of his hand, allergic, paranoia season. Peter Orlovsky departed alone, ship to Athens, Bill employed for Scandinavia L.S.O. Conference leaving Gregory Corso and myself waving him goodbye, 1961, printed 1995

Nicht ausgestellt · National Gallery of Art

Alfonso V of Aragon, 1394-1458, King of Naples and Sicily 1443, Pisanello, c. 1449

Pisanello

Alfonso V of Aragon, 1394-1458, King of Naples and Sicily 1443, c. 1449

Nicht ausgestellt · National Gallery of Art

Portrait of a Man, Facing Right, Alex Katz, 1950s

Alex Katz

Portrait of a Man, Facing Right, 1950s

Nicht ausgestellt · National Gallery of Art

Gian Galeazzo Maria Sforza, Duke of Milan, Workshop of Benedetto Briosco, early 1490s

anonymous

Gian Galeazzo Maria Sforza, Duke of Milan, early 1490s

Nicht ausgestellt · National Gallery of Art

Bust of a Youth, Studio of Giovanni Bernardi

anonymous

Bust of a Youth

Nicht ausgestellt · National Gallery of Art

Filippo Maria Visconti, Imitator of Benedetto Briosco, part before 1878, part 1930

anonymous

Filippo Maria Visconti, part before 1878, part 1930

Nicht ausgestellt · National Gallery of Art

Joel Barlow, after Jean-Antoine Houdon, model 1803, cast by 1913

Jean-Antoine Houdon

Joel Barlow, model 1803, cast by 1913

Nicht ausgestellt · National Gallery of Art