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  3. Gateway, Hidalgo
Gateway, Hidalgo, Paul Strand, 1933, printed 1967
Paul Strand, PorträtPaul StrandVereinigte Staaten, 1890–1976

Gateway, Hidalgo

1933, printed 1967 · Photograph

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Art Institute of Chicago

Chicago, Vereinigte Staaten

Es gehört zur Sammlung, ist derzeit aber nicht ausgestellt.

Geprüft
vor 3 Tagen
Unverändert seit
19. Aug. 2026
Quelle
Das Museum
Auf der KarteMuseumsseite

Angaben

1933, printed 1967
18901976
Inventarnummer
1971.556

Im Katalog

FotografienModerne20. JahrhundertAvantgardeVereinigte Staaten

Quellen

  • Art Institute of Chicago
  • Bild: Art Institute of Chicago — © the artist or rights holder

Derweil im Leben von Paul Strand

Das ganze Leben
  1. 1932–1935

    Lives in Mexico and works on the film “Redes”

    Strand lives in Mexico and works on “Redes” (1936), a film commissioned by the Mexican government and released in the United States as “The Wave”.

  2. 1936

    Helps found the Photo League

    Strand is one of the founders of the Photo League, a cooperative of photographers that between 1936 and 1951 campaigned for social reform and for using art to promote social and political causes. He and Elizabeth McCausland were particularly active in it, he himself something of an elder statesman; Ansel Adams and Nancy Newhall also contributed to the League’s publication, Photo News.

  3. 1946

    Retrospective at the Museum of Modern Art

    The Museum of Modern Art in New York holds a large retrospective of Strand’s work, spanning documentary photography, portraits, landscapes, plants, architecture, industrial sites and machines.

  4. December 1947

    The Photo League lands on the list of subversive organizations

    In December 1947 the Photo League, which Strand had helped to found, appears on the US Attorney General’s List of Subversive Organizations. The League was active until 1951.

  5. June 1949

    Leaves the United States and stays in France

    In June 1949 Strand travels to present “Native Land” at the Karlovy Vary International Film Festival and, unwilling to tolerate the growing McCarthyism, stays in France and never returns to the United States. He spends the last 27 years of his life in Orgeval (Yvelines), never learning French; declassified files later showed that security services monitored him closely.

  6. 1950

    “Time in New England” is published

    “Time in New England” opens a run of six book “portraits” of place; returning to still photography in his later years, Strand produces some of his most significant work in this form.

Mehr von Paul Strand

Alle Werke
From the Viaduct, 125th Street, New York, Paul Strand, 1916

From the Viaduct, 125th Street, New York

1916 · Museum of Modern Art

Abstraction, Porch Shadows, Connecticut, Paul Strand, 1916

Abstraction, Porch Shadows, Connecticut

1916 · Museum of Modern Art

England, Paul Strand, 1911

England

1911 · Nicht ausgestellt · National Gallery of Art

Panama-Pacific Exposition, San Francisco, Paul Strand, 1915

Panama-Pacific Exposition, San Francisco

1915 · Nicht ausgestellt · National Gallery of Art

Wall Street, Paul Strand, 1915

Wall Street

1915 · Nicht ausgestellt · Museum of Modern Art

Central Park, New York, Paul Strand, 1915

Central Park, New York

1915 · Nicht ausgestellt · Museum of Modern Art

Fifth Avenue, New York, Paul Strand, 1915

Fifth Avenue, New York

1915 · Nicht ausgestellt · Museum of Modern Art

Untitled, Paul Strand, 1915

Untitled

1915 · Nicht ausgestellt · Museum of Modern Art

Nachbarn im Haus: Art Institute of Chicago

Museumsseite
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Ein Sonntagnachmittag auf der Insel La Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Straße in Paris an einem regnerischen Tag, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

Auf der Terrasse, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

The Basket of Apples, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942