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  3. Evervess II 1
Evervess II 1, Joseph Beuys, 1968
Joseph Beuys, PorträtJoseph BeuysDeutschland, 1921–1986

Evervess II 1

1968 · Multiple

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Museum of Modern Art

New York City, Vereinigte Staaten

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Geprüft
vor 9 Tagen
Quelle
Das Museum
Auf der KarteMuseumsseite

Angaben

1968 · mit 47 Jahren
19211986
Inventarnummer
912.2005.a-c

Im Katalog

DruckgrafikNachkriegskunst20. Jahrhundert

Quellen

  • Museum of Modern Art
  • Bild: Museum of Modern Art — © the artist or rights holder

Derweil im Leben von Joseph Beuys

Das ganze Leben
  1. 1960s

    Forms the idea of “social sculpture”

    Drawing on Novalis and Schiller and on Rudolf Steiner's ideas of social threefolding, Beuys developed the concept of social sculpture: society as a whole is one great work of art to which everyone can contribute creatively (“everyone is an artist”).

  2. 1967

    Founds a party made up of students

    In June 1967, during a student demonstration in West Berlin, a participant died after a clash with the police; in response Beuys created a political party made up solely of students, demanding student self-government and free admission to university for anyone who wished.

  3. 27. Juni 1968 – 6. Oktober 1968

    Exhibition: 4. documenta

  4. 1969

    Calls teaching his greatest work

    In a 1969 Artforum interview with Willoughby Sharp, Beuys added to his famous statement that teaching is his greatest work of art: the rest is merely waste product and demonstration.

  5. May 1970

    In Scotland with Demarco: the idea of “7000 Oaks”

    Invited by Richard Demarco, Beuys came to Scotland; at Loch Awe and Rannoch Moor he first conceived the necessity of “7000 Oaks”.

  6. August 1970

    The 1970 Edinburgh Festival: “Arena” and “The Pack”

    In August 1970, at the Edinburgh International Festival, Beuys, with Günther Uecker, Blinky Palermo, Robert Filliou and other Düsseldorf artists, showed the retrospective “Arena” and the installation “The Pack” and performed “Celtic Kinloch Rannoch”, using a blackboard for the first time; a year later he developed the action in Basel as “Celtic+”.

Mehr von Joseph Beuys

Alle Werke
Eurasia Siberian Symphony 1963, Joseph Beuys, 1966

Eurasia Siberian Symphony 1963

1966 · Museum of Modern Art

Green Violin (Grüne Geige), Joseph Beuys, Henning Christiansen, 1974

Green Violin (Grüne Geige)

1974 · Museum of Modern Art

Untitled, Joseph Beuys, n.d.

Untitled

n.d. · Nicht ausgestellt · Museum of Modern Art

Untitled, Joseph Beuys, 1947 and 1970s

Untitled

1947 and 1970s · Nicht ausgestellt · Museum of Modern Art

Untitled III, Joseph Beuys, 1948-81

Untitled III

1948-81 · Nicht ausgestellt · Museum of Modern Art

Hind (Hirschkuh), Joseph Beuys, 1948, printed 1973-74

Hind (Hirschkuh)

1948, printed 1973-74 · Nicht ausgestellt · Museum of Modern Art

Shallows (Wattenmeer), Joseph Beuys, 1949,  printed 1973-74

Shallows (Wattenmeer)

1949, printed 1973-74 · Nicht ausgestellt · Museum of Modern Art

Untitled V, Joseph Beuys, 1949-82

Untitled V

1949-82 · Nicht ausgestellt · Museum of Modern Art

Nachbarn im Haus: Museum of Modern Art

Museumsseite
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

Sternennacht, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950