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Equivalent, Alfred Stieglitz, 1926
Alfred Stieglitz, PorträtAlfred StieglitzVereinigte Staaten, 1864–1946

Equivalent

1926 · Photograph

Darf man es sehen?

Empfängt derzeit nicht

Museum of Modern Art

New York City, Vereinigte Staaten

Es gehört zur Sammlung, ist derzeit aber nicht ausgestellt.

Geprüft
vor 9 Tagen
Quelle
Das Museum
Auf der KarteMuseumsseite

Angaben

1926 · mit 62 Jahren
18641946
Inventarnummer
92.1943.2

Im Katalog

FotografienSilbergelatineabzugModerne20. Jahrhundert

Quellen

  • Museum of Modern Art
  • Bild: Museum of Modern Art — © the artist or rights holder

Derweil im Leben von Alfred Stieglitz

Das ganze Leben
  1. late 1924

    27 photographs for the Boston Museum of Fine Arts

    At the end of 1924 Stieglitz donated 27 photographs to the Boston Museum of Fine Arts, the first time a major museum included photographs in its permanent collection.

  2. 1924

    Divorce from Emmy

    In 1924 Stieglitz's divorce was finally approved by a judge, and within four months he and O'Keeffe married in a small private ceremony at John Marin's house, with no reception or honeymoon. O'Keeffe later said they married to help soothe the troubles of his daughter Kitty, then being treated in a sanatorium for depression.

  3. 1924

    The Royal Photographic Society's Progress Medal

    In 1924 the Royal Photographic Society awarded Stieglitz its Progress Medal for advancing photography and made him an Honorary Fellow.

  4. 11. Dezember 1924

    Married: Georgia O'Keeffe

  5. 1925

    The “Seven Americans” exhibition

    In 1925 the Anderson Galleries invited Stieglitz to put together one of the largest exhibitions of American art, 159 works by Arthur G. Dove, Marsden Hartley, John Marin, Charles Demuth, Paul Strand, Georgia O'Keeffe and Stieglitz himself. Only one small painting by O'Keeffe sold during the three-week show.

Mehr von Alfred Stieglitz

Alle Werke
The Hand of Man, Alfred Stieglitz, 1902

The Hand of Man

1902 · Museum of Modern Art

Snapshot—In the New York Central Yards, Alfred Stieglitz, 1903

Snapshot—In the New York Central Yards

1903 · Museum of Modern Art

The Steerage, Alfred Stieglitz, 1907

The Steerage

1907 · Museum of Modern Art

Old and New New York, Alfred Stieglitz, 1910

Old and New New York

1910 · Art Institute of Chicago

Washerwomen at Riva del Garda, Alfred Stieglitz, 1887, printed 1929/1934

Washerwomen at Riva del Garda

1887, printed 1929/1934 · Nicht ausgestellt · National Gallery of Art

The Street Paver, Alfred Stieglitz, 1893, printed 1929/1934

The Street Paver

1893, printed 1929/1934 · Nicht ausgestellt · National Gallery of Art

Weary, Alfred Stieglitz, 1890, printed 1929/1934

Weary

1890, printed 1929/1934 · Nicht ausgestellt · National Gallery of Art

Stones of Venice, Chioggia, Alfred Stieglitz, 1887, printed 1929/1934

Stones of Venice, Chioggia

1887, printed 1929/1934 · Nicht ausgestellt · National Gallery of Art

Nachbarn im Haus: Museum of Modern Art

Museumsseite
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

Sternennacht, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950