ART WIKI32.963 ausgestellt
KarteSammlungKünstlerMuseenAusstellungenJournal
Anmelden

ART WIKI

Wo das Meisterwerk hängt und wann man vorgelassen wird.

Sammlungen: Art Institute of Chicago, Cleveland Museum of Art, Eremitage, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Puschkin-Museum, Rijksmuseum Amsterdam, Russisches Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakow-Galerie, Victoria and Albert Museum, Whitney Museum of American Art, Staatskatalog des Museumsfonds Russlands (274 Museen), Europeana (19 Museen), Wikidata (6 Museen), Paris Musées (12 Museen) und Joconde, die Museumsdatenbank des französischen Kulturministeriums (495 Museen). Die Bilder gehören ihren Rechteinhabern.

Rubriken

  • Karte
  • Suche
  • Sammlung
  • Meisterwerke
  • Jetzt ausgestellt
  • Künstler

Mehr

  • Museen & Galerien
  • Ausstellungen
  • Journal
  • Woher die Daten stammen
  • Datenschutz & Cookies
StartseiteKarteKatalog
  1. Sammlung/
  2. Victoria and Albert Museum/
  3. Doña María de Perea
Doña María de Perea, 1499-1505

Doña María de Perea

1499-1505 · Effigy · 33.5 × 66 cm

Über die Skulptur

This effigy of Doña María de Perea (d. 1499) is a pendant to that of her husband, Don García de Osorio (d. after 1502). Both effigies were originally placed in the church of S. Pedro at Ocaña near Toledo in Spain, but they were removed when the church was declared structurally unsound in 1906. Doña María holds a rosary, an indication of her piety.

The church of S. Pedro was closely associated with the military Order of Santiago, which owned Ocaña.

Weiterlesen

Doña María's simple dress, reminiscent of a nun, also implies her lack of ostentation and her religious devotion. Although the author of the tomb is unknown, he is likely to have been a sculptor active in Toledo, and the skill with which the dress and portraits are rendered on both this effigy and that of don García Osorio (doña María Perea's husband) suggests an experienced Castilian sculptor perhaps influenced by Netherlandish prototypes, in the tradition of Gil de Siloe.

Victoria and Albert Museum

Angaben

Inventarnummer
A.49-1910

Im selben Saal · Medieval & Renaissance, Room 50a, The Paul and Jill Ruddock Gallery, Victoria and Albert Museum

Museumsseite

Darf man es sehen?

Ja, es empfängt Besucher

Victoria and Albert Museum

London, Vereinigtes Königreich

SaalMedieval & Renaissance, Room 50a, The Paul and Jill Ruddock Gallery

Öffentlich ausgestellt. Wer dafür bürgt, steht unten.

Geprüft
vor 12 Tagen
Unverändert seit
25. Sept. 2026
Quelle
Das Museum
Auf der KarteMuseumsseite

Im Katalog

SkulpturSteinRenaissance15. JahrhundertToledo (City)

Quellen

  • Victoria and Albert Museum
  • Bild: Victoria and Albert Museum — © Victoria and Albert Museum, London
Narcissus, Valerio Cioli, ca. 1560

Valerio Cioli

Narcissus, ca. 1560

Samson Slaying a Philistine, Giovanni Bologna, 1560-1562

Giambologna

Samson Slaying a Philistine, 1560-1562

Roundel depicting Julia (?) Augustus & Agrippa, workshop of Giovanni della Robbia, ca. 1520 - ca. 1525

workshop of Giovanni della Robbia

Roundel depicting Julia (?) Augustus & Agrippa, ca. 1520 - ca. 1525

The Blind Homer, workshop of Giovanni della Robbia, ca. 1520 - ca. 1525

workshop of Giovanni della Robbia

The Blind Homer, ca. 1520 - ca. 1525

Relief, workshop of Della Robbia, 1520-1540

workshop of della Robbia

Relief, 1520-1540

Classical female head, workshop of Giovanni della Robbia, ca. 1520 - ca. 1525

workshop of Giovanni della Robbia

Classical female head, ca. 1520 - ca. 1525

The Blind Homer, workshop of Giovanni della Robbia, ca. 1520 - ca. 1525

workshop of Giovanni della Robbia

The Blind Homer, ca. 1520 - ca. 1525

Sepulchral Effigy of a Lady, 1500-1530

Sepulchral Effigy of a Lady, 1500-1530