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  3. Narcissus
Narcissus, Valerio Cioli, ca. 1560

Narcissus

ca. 1560 · Sculpture · 99.9 × 67.8 cm

Über die Skulptur

Narcissus is shown as a youth returning from a hunt. He stops to look into a pool of water and is mesmerised by his reflection, which he has never seen before. He falls in love with the beautiful image he sees and then cannot stop looking. This may have originally been the centrepiece for a fountain, and therefore shown the figure gazing into an actual pool of water.

Weiterlesen

When discovered in Florence this statue was identified as a statue of Cupid carved by Michelangelo which was thought to be lost. For many years after its acquisition by the V&A it was one of the most celebrated works in the Museum because of this attribution. It has since been identified as an ancient Roman copy of a classical model. It was extensively recut in the sixteenth century, with the head being added at this time, and is thought to be the work of the Florentine sculptor Valerio Cioli (ca. 1529 - 1599), who was a restorer of classical sculptures. The raised left arm dates from the nineteenth century.

Victoria and Albert Museum

Angaben

ca. 1560

Mehr von Valerio Cioli

Alle Werke

Im selben Saal · Medieval & Renaissance, Room 50a, The Paul and Jill Ruddock Gallery, Victoria and Albert Museum

Museumsseite

Zum selben Thema · Classicism

Alle Werke zum Thema
15291599
Inventarnummer
7560-1861

Quellen

  • Victoria and Albert Museum
  • Bild: Victoria and Albert Museum — © Victoria and Albert Museum, London
Valerio Cioli, PorträtValerio Cioli1529–1599

Darf man es sehen?

Ja, es empfängt Besucher

Victoria and Albert Museum

London, Vereinigtes Königreich

SaalMedieval & Renaissance, Room 50a, The Paul and Jill Ruddock Gallery

Öffentlich ausgestellt. Wer dafür bürgt, steht unten.

Geprüft
vor 13 Tagen
Unverändert seit
25. Sept. 2026
Quelle
Das Museum
Auf der KarteMuseumsseite
Bärtiger Mann auf einem Faß, Valerio Cioli

Bärtiger Mann auf einem Faß

Museum Kunstpalast

Samson Slaying a Philistine, Giovanni Bologna, 1560-1562

Giovanni Bologna

Samson Slaying a Philistine, 1560-1562

Jason, 2nd half 16th century

Jason, 2nd half 16th century

Roundel depicting Julia (?) Augustus & Agrippa, workshop of Giovanni della Robbia, ca. 1520 - ca. 1525

workshop of Giovanni della Robbia

Roundel depicting Julia (?) Augustus & Agrippa, ca. 1520 - ca. 1525

The Blind Homer, workshop of Giovanni della Robbia, ca. 1520 - ca. 1525

workshop of Giovanni della Robbia

The Blind Homer, ca. 1520 - ca. 1525

Relief, workshop of Della Robbia, 1520-1540

workshop of della Robbia

Relief, 1520-1540

Classical female head, workshop of Giovanni della Robbia, ca. 1520 - ca. 1525

workshop of Giovanni della Robbia

Classical female head, ca. 1520 - ca. 1525

The Blind Homer, workshop of Giovanni della Robbia, ca. 1520 - ca. 1525

workshop of Giovanni della Robbia

The Blind Homer, ca. 1520 - ca. 1525

Sepulchral Effigy of a Lady, 1500-1530

Sepulchral Effigy of a Lady, 1500-1530

View of Delphi with a Procession, Claude Lorrain, 1673

Claude Lorrain

View of Delphi with a Procession, 1673

Art Institute of Chicago

Abduction of the Sabines, Giuseppe Angeli, c. 1760

Giuseppe Angeli

Abduction of the Sabines, c. 1760

Nicht ausgestellt · Art Institute of Chicago

A Shepherdess, Charles-Gabriel Lemire, ca. 1780s

Charles-Gabriel Lemire

A Shepherdess, ca. 1780s

Victoria and Albert Museum

Cupid and Psyche, Clodion, ca. 1797-1800

Clodion

Cupid and Psyche, ca. 1797-1800

Victoria and Albert Museum

A Nymph and Cupid, Locré and Russinger's porcelain factory, ca. 1785

Locré and Russinger's porcelain factory

A Nymph and Cupid, ca. 1785

Victoria and Albert Museum

Design for the Broadmoor Stage Drop-Curtain, Richard Dadd, 1873

Richard Dadd

Design for the Broadmoor Stage Drop-Curtain, 1873

Victoria and Albert Museum

Design for St Mary's Church, St Marylebone, Chambers, early 1770s

Chambers

Design for St Mary's Church, St Marylebone, early 1770s

Nicht ausgestellt · Victoria and Albert Museum

Triumphal Gateway at Hyde Park Corner, Robert Adam, c.1775

Robert Adam

Triumphal Gateway at Hyde Park Corner, c.1775

Nicht ausgestellt · Victoria and Albert Museum

Was es zeigt

ClassicismVanityQuiversNarcissus

Im Katalog

SkulpturMarmorRenaissance16. JahrhundertItalien