De kruisiging

1508 · Print

Darf man es sehen?

Unbekannt

Rijksmuseum Amsterdam

Amsterdam, Niederlande

Der Besitzer ist bekannt; ob das Werk derzeit ausgestellt ist, nicht.

Quelle: Das Museum

Auf der Karte Museumsseite

Über das Werk

In den Worten des Museums — auf Niederländisch

Christus aan het kruis. Aan zijn linkerzijde staat Johannes de evangelist met de handen geheven in een biddend gebaar, aan zijn rechterzijde staan en zitten vier treurende vrouwen.

Rijksmuseum Amsterdam

Angaben

Inventarnummer: RP-P-OB-1182

Was es zeigt

Crucified Christ with Mary, John, and Mary Magdalene

Im Katalog

Druckgrafik Renaissance 16. Jahrhundert

Quellen

Rijksmuseum Amsterdam
Bild: Rijksmuseum Amsterdam — public domain

Derweil im Leben von Albrecht Dürer

Das ganze Leben

1505–1507
To Bologna for the secrets of perspective
Dürer travelled to the university city of Bologna, hoping to learn the secrets of geometric perspective from its scholars. He then meant to visit Mantegna in Padua but received news of his death, which he greatly regretted afterwards.
1505–1507
Friendship with Giovanni Bellini
Dürer considered Giovanni Bellini “the best in painting”, the only Venetian master with whom he became friends. The Madonna of the Siskin may have been painted at Bellini's request.
1505–1507 · Wirkungsort
Venice
1507
Leaving Venice: “Here I am a gentleman”
Dürer left Italy, apparently reluctantly: in one of his last letters to Pirckheimer he remarked, “Here I am a gentleman, while at home I am only a parasite.”
1507–1528 · Wirkungsort
Nuremberg
1509
Elected to Nuremberg's Greater Council
Dürer was elected a nominated member of Nuremberg's Greater Council; in that role he may have taken part in the city's artistic projects.