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  3. Cypresses
Cypresses, Vincent van Gogh, 1889

Cypresses

1889 · Pen and reed pen and brown inks and graphite on cream wove paper

Angaben

1889 · mit 36 Jahren
18531890

Derweil im Leben von Vincent van Gogh

Das ganze Leben
  1. February 1888

    To Arles, dreaming of a “Studio of the South”

    The public still neither accepted nor bought his paintings, and in February 1888 Van Gogh left for Arles in the south of France to found a “Studio of the South”, a brotherhood of like-minded artists in which he gave Gauguin the leading role. Theo backed the plan with money.

  2. 23 October 1888

    Gauguin arrives in Arles

    After much pleading Gauguin arrived in Arles, and in November the two painted together: Gauguin portrayed Van Gogh in “The Painter of Sunflowers”, and their first joint outing was to the Alyscamps. At Gauguin's suggestion Vincent painted from memory, producing “Memory of the Garden at Etten”.

  3. 23 December 1888

    The severed ear

    After an altercation on the evening of 23 December, Van Gogh, seemingly hearing voices, severed his left ear, wholly or in part, with a razor and delivered it, wrapped in paper, to a woman at a brothel. Next morning a policeman found him unconscious; in hospital he was diagnosed with “acute mania with generalised delirium”.

  4. May 1889

    Voluntarily into the Saint-Paul asylum

    Van Gogh left Arles and voluntarily entered the Saint-Paul-de-Mausole asylum, a former monastery in Saint-Rémy-de-Provence, accompanied by the Protestant clergyman Frédéric Salles. Of his two cells with barred windows one became a studio, and the clinic and its garden became the main subjects of his paintings.

  5. 27 July 1890

Mehr von Vincent van Gogh

Alle Werke

Nachbarn im Haus: Art Institute of Chicago

Museumsseite

Zum selben Thema · Century of Progress

Alle Werke zum Thema

A fatal wound: a revolver shot

Out painting, Van Gogh shot himself in the chest with a revolver he had bought to scare off birds while working outdoors; the bullet passed below his heart, and he made his own way back to his room at the inn. Theo arrived the next day and stayed with him to the end; according to Theo, Vincent's last words were: “The sadness will last forever.”

  • 29. Juli 1890

    Died

  • Vincent van Gogh, PorträtVincent van GoghNiederlande, 1853–1890

    Darf man es sehen?

    Empfängt derzeit nicht

    Art Institute of Chicago

    Chicago, Vereinigte Staaten

    Es gehört zur Sammlung, ist derzeit aber nicht ausgestellt.

    Geprüft
    vor 3 Tagen
    Unverändert seit
    16. Aug. 2026
    Quelle
    Das Museum
    Auf der KarteMuseumsseite

    Was es zeigt

    Century of ProgressWorld's fairsChicago World's Fairs

    Im Katalog

    Zeichnungen & AquarelleImpressionismus19. JahrhundertNiederlande

    Quellen

    • Art Institute of Chicago
    • Bild: Art Institute of Chicago — CC0 / public domain (AIC image API)
    Self-Portrait with a Straw Hat (obverse: The Potato Peeler), Vincent van Gogh, 1887

    Self-Portrait with a Straw Hat (obverse: The Potato Peeler)

    1887 · Metropolitan Museum of Art

    Self-portrait, Vincent van Gogh, 1887

    Self-portrait

    1887 · Rijksmuseum Amsterdam

    Madame Roulin and Her Baby, Vincent van Gogh, 1888

    Madame Roulin and Her Baby

    1888 · Metropolitan Museum of Art

    Wheat Field with Cypresses, Vincent van Gogh, 1889

    Wheat Field with Cypresses

    1889 · Metropolitan Museum of Art

    Olive Trees, Vincent van Gogh, 1889

    Olive Trees

    1889 · Minneapolis Institute of Art

    Irises, Vincent van Gogh, 1890

    Irises

    1890 · Metropolitan Museum of Art

    Het Singel bij de Lutherse Kerk te Amsterdam, Vincent van Gogh, 1885

    Het Singel bij de Lutherse Kerk te Amsterdam

    1885 · Rijksmuseum Amsterdam

    The Potato Peeler (reverse: Self-Portrait with a Straw Hat), Vincent van Gogh, 1885

    The Potato Peeler (reverse: Self-Portrait with a Straw Hat)

    1885 · Metropolitan Museum of Art

    The Bedroom, Vincent van Gogh, 1889

    Vincent van Gogh

    The Bedroom, 1889

    A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

    Georges Seurat

    Ein Sonntagnachmittag auf der Insel La Grande Jatte, 1884–86, border added 1888–89

    Paris Street; Rainy Day, Gustave Caillebotte, 1877

    Gustave Caillebotte

    Straße in Paris an einem regnerischen Tag, 1877

    Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

    Pierre-Auguste Renoir

    Auf der Terrasse, 1881

    The Basket of Apples, Paul Cézanne, c. 1893

    Paul Cézanne

    The Basket of Apples, c. 1893

    Stacks of Wheat (End of Summer), Claude Monet, 1890–91

    Claude Monet

    Stacks of Wheat (End of Summer), 1890–91

    American Gothic, Grant Wood, 1930

    Grant Wood

    American Gothic, 1930

    Nighthawks, Edward Hopper, 1942

    Edward Hopper

    Nighthawks, 1942

    American Gothic, Grant Wood, 1930

    Grant Wood

    American Gothic, 1930

    Art Institute of Chicago

    A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

    Georges Seurat

    Ein Sonntagnachmittag auf der Insel La Grande Jatte, 1884–86, border added 1888–89

    Art Institute of Chicago

    The Old Guitarist, Pablo Picasso, late 1903–early 1904

    Pablo Picasso

    The Old Guitarist, late 1903–early 1904

    Nicht ausgestellt · Art Institute of Chicago

    At the Moulin Rouge, Henri de Toulouse-Lautrec, 1892/95

    Henri de Toulouse-Lautrec

    Das Promenoir des »Moulin Rouge«, 1892/95

    Art Institute of Chicago

    Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

    Pierre-Auguste Renoir

    Auf der Terrasse, 1881

    Art Institute of Chicago

    The Basket of Apples, Paul Cézanne, c. 1893

    Paul Cézanne

    The Basket of Apples, c. 1893

    Art Institute of Chicago

    The Assumption of the Virgin, Domenico Theotokópoulos, called El Greco, 1577–79

    Domenico Theotokópoulos, called El Greco

    The Assumption of the Virgin, 1577–79

    Art Institute of Chicago

    The Beach at Sainte-Adresse, Claude Monet, 1867

    Claude Monet

    The Beach at Sainte-Adresse, 1867

    Art Institute of Chicago