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  3. Christ before Pilate
Christ before Pilate, Unknown artist, 1460–65

Unknown artist

Christ before Pilate

1460–65 · Print

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Art Institute of Chicago

Chicago, Vereinigte Staaten

Es gehört zur Sammlung, ist derzeit aber nicht ausgestellt.

Geprüft
vor 3 Tagen
Unverändert seit
19. Aug. 2026
Quelle
Das Museum
Auf der KarteMuseumsseite

Über das Werk

Communion bread came in different shapes in Renaissance Europe, and this variety is particularly clear from depictions of the Last Supper, when Christ symbolically offers his body to his disciples. In this metalcut series on the life of Christ, the shape of the bread—the traditional Bretzel, or pretzel—betrays that the prints were made in Bavaria. While the handwritten text on the verso of the adjoining sheet in the booklet (once comprising nineteen metalcuts) does not mention the pretzel, it is handcolored in a warm, doughy yellow. A similar glow suffuses the head-on Sudarium at center, an unusually abstract inclusion for an image of the Passion.

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The fifteen metalcuts, or "dotted prints," that form this Passion suite constitute one of the most complete block books in existence. It is possible that the series at one time included as many as nineteen images, each exquisitely hand-colored with the biblical text inscribed on the reverse. The stars, shells, and other repeating patterns were produced by hammering metal punches, such as those used by goldsmiths and armorers, into the soft metal plates.

Art Institute of Chicago · CC BY 4.0

Angaben

Inventarnummer
1983.13.5

Im Katalog

DruckgrafikRenaissance15. JahrhundertDeutschland

Quellen

  • Art Institute of Chicago
  • Bild: Art Institute of Chicago — CC0

Nachbarn im Haus: Art Institute of Chicago

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