Cave Dwellings, Sicily, M.C. Escher, 1933
Maurits Cornelis Escher, PorträtMaurits Cornelis EscherNiederlande, 1898–1972

Cave Dwellings, Sicily

1933 · Print

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National Gallery of Art

Washington, D.C., Vereinigte Staaten

Es gehört zur Sammlung, ist derzeit aber nicht ausgestellt.

Geprüft
Unverändert seit
Quelle
Das Museum

Angaben

Inventarnummer
1983.110.8

Was es zeigt

Im Katalog

Quellen

Derweil im Leben von Maurits Cornelis Escher

Das ganze Leben
  1. November 1923 – 1935

    Rome and yearly journeys through Italy

    From November 1923 Escher lived in Rome and until 1935 travelled each year for at least two months through Italy — Sicily, Abruzzo, Campania, and also Corsica, Malta and Tunisia; these journeys produced many landscapes whose perspective already hints at his later geometric experiments. He could not support his family on the sale of his work and lived on his father’s help.

  2. 1924–1935 · Wirkungsort

    Rome

  3. 1930–1933

    Illness, the book “Emblemata” and a Rijksmuseum purchase

    In late 1930 and in 1931 Escher’s health worsened and his work slowed; G. J. Hoogewerf, director of the Dutch historical institute in Rome, suggested he write to magazines about some of his works and publish a book — the selected works appeared in 1932 as “Emblemata”. In 1933 the print room of the Rijksmuseum in Amsterdam acquired twenty-six of his works.

  4. 4 July 1935 – August 1937

    Leaving Fascist Italy: Château-d’Œx

    On 4 July 1935 the Eschers left Italy: the political climate under Mussolini had become unacceptable to the artist, their nine-year-old son’s health had worsened and at school George was being made to wear the uniform of the Balilla organisation; they had to sell the house in Rome, and the family moved to Château-d’Œx in Switzerland. Life there was more expensive and they had to work hard: Jetta took up the piano again, Escher joined a chess club and tried landscapes, but was disappointed — they lacked the warmth of the Italian ones; in the summer of 1935 he went to The Hague to see his parents and drew one of his best-known portraits of his father.

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