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  3. Architectonic Composition
Architectonic Composition, Liubov Popova, 1921
Liubov Popova, PorträtLiubov PopovaRussland, 1889–1924

Architectonic Composition

1921 · Drawing

Darf man es sehen?

Empfängt derzeit nicht

Museum of Modern Art

New York City, Vereinigte Staaten

Es gehört zur Sammlung, ist derzeit aber nicht ausgestellt.

Geprüft
vor 8 Tagen
Quelle
Das Museum
Auf der KarteMuseumsseite

Angaben

1921 · mit 32 Jahren
18891924
Inventarnummer
941.1983

Im Katalog

Zeichnungen & AquarelleTuscheModerne20. Jahrhundert

Quellen

  • Museum of Modern Art
  • Bild: Museum of Modern Art — © the artist or rights holder

Derweil im Leben von Liubov Popova

Das ganze Leben
  1. 1919

    Her husband dies; she herself falls gravely ill

    Boris von Eding dies of typhoid fever; Popova is also seriously ill but recovers.

  2. by late 1921

    Joins the Working Group of Constructivists

    Having stayed out of the Working Group of Constructivists when it was set up in Moscow in March 1921, she joins it by the end of that year.

  3. September 1921

    The “5×5=25” exhibition

    She takes part in the “5×5=25” exhibition with Rodchenko, Varvara Stepanova, Alexander Vesnin and Alexandra Exter, each showing five abstract works. They declare that easel painting must be abandoned and all creative work given to the people and to the making of a new society.

  4. 1921–1924

    Throws herself into Constructivist projects

    From 1921 to 1924 she is entirely involved in Constructivist projects, sometimes with Varvara Stepanova, the architect Alexander Vesnin and Alexander Rodchenko: she designs stage sets, book typography, production art and textiles, and contributes dress designs to LEF. Her “Spatial Force Constructions” become the basis of her teaching theory at Vkhutemas.

  5. 1923

    Designs fabrics for a textile printing works

    She begins creating fabric designs to be manufactured by the First State Textile Printing Works in Moscow, and works briefly at the Cotton Printing Factory in Moscow with Varvara Stepanova.

Mehr von Liubov Popova

Alle Werke
Человек + воздух + пространство, Liubov Popova, 1913

Человек + воздух + пространство

1913 · Russisches Museum

Objects from a Dyer's Shop, Liubov Popova, 1914

Objects from a Dyer's Shop

1914 · Museum of Modern Art

Портрет философа, Liubov Popova, 1915

Портрет философа

1915 · Russisches Museum

Self-Portrait, Lyubov Popova, 1910s

Self-Portrait

1910s · Nicht ausgestellt · National Gallery of Art

Предметы, Liubov Popova, 1915

Предметы

1915 · Russisches Museum

Untitled from Six Prints, Liubov Popova, c. 1917–19

Untitled from Six Prints

c. 1917–19 · Nicht ausgestellt · Museum of Modern Art

Title page from Six Prints, Liubov Popova, c. 1917–19

Title page from Six Prints

c. 1917–19 · Nicht ausgestellt · Museum of Modern Art

Untitled from Six Prints, Liubov Popova, c. 1917–19

Untitled from Six Prints

c. 1917–19 · Nicht ausgestellt · Museum of Modern Art

Nachbarn im Haus: Museum of Modern Art

Museumsseite
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

Sternennacht, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950