A Marble Horse on the Quirinal Hill [recto]

c. 1513 · Drawing

Kann ich es sehen?

Derzeit nicht ausgestellt

Wo ist „A Marble Horse on the Quirinal Hill [recto]“ heute? Sammlung: National Gallery of Art, Washington, D.C. Derzeit nicht ausgestellt. Geprüft 29. September 2026.

National Gallery of Art

Washington, D.C., Vereinigte Staaten

Es gehört zur Sammlung, ist derzeit aber nicht ausgestellt.

Geprüft: vor 12 Tagen
Unverändert seit: 19. Aug. 2026
Quelle: Das Museum

Auf der Karte Museumsseite

Angaben

Inventarnummer: 1993.51.3.a

Was es zeigt

Detail and ornament Hauspferd Statue Quirinal Horse

Im Katalog

Zeichnungen & Aquarelle Kreide Renaissance 16. Jahrhundert Marchigian

Quellen

National Gallery of Art
Bild: National Gallery of Art — Museum open access

Im Leben von Raphael

Das ganze Leben

1508–1520 · Wirkungsort
Rome
1511
Under the spell of Michelangelo's ceiling
According to Vasari, Bramante let Raphael into the Sistine Chapel secretly, and while painting the Stanza he was clearly influenced by Michelangelo's ceiling, as in his portrait of Michelangelo himself as Heraclitus in “The School of Athens”. Michelangelo accused him of plagiarism and years later complained that “everything he knew about art he got from me”.
1513
Leo X becomes pope
The death of Julius II did not interrupt the work: his successor, the Medici Pope Leo X, became Raphael's last and even closer patron, and Raphael's friend Cardinal Bibbiena was a close friend and adviser of the new pope.
1514
Chief architect of St Peter's
After Bramante's death Raphael became chief architect of the new St Peter's and continued Bramante's construction of the Vatican Loggias, whose vaults his pupils painted.
1514
Engaged to Maria Bibbiena
Raphael became engaged to Cardinal Bibbiena's niece Maria, apparently talked into it by his friend the cardinal and without much enthusiasm: the marriage had still not taken place when she died in 1520. A permanent fixture in his Roman life was “La Fornarina”, Margherita Luti, a baker's daughter.
1515
Prefect of the antiquities of Rome
Raphael was given powers as Prefect over all antiquities unearthed in Rome or within a mile of it: finds had to be reported to him within three days, and inscriptions could not be destroyed without permission. He wrote to the pope proposing ways to halt the destruction of ancient monuments and a survey to record them all.