ART WIKI32.963 ausgestellt
KarteSammlungKünstlerMuseenAusstellungenJournal
Anmelden

ART WIKI

Wo das Meisterwerk hängt und wann man vorgelassen wird.

Sammlungen: Art Institute of Chicago, Cleveland Museum of Art, Eremitage, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Puschkin-Museum, Rijksmuseum Amsterdam, Russisches Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakow-Galerie, Victoria and Albert Museum, Whitney Museum of American Art, Staatskatalog des Museumsfonds Russlands (274 Museen), Europeana (19 Museen), Wikidata (6 Museen), Paris Musées (12 Museen) und Joconde, die Museumsdatenbank des französischen Kulturministeriums (495 Museen). Die Bilder gehören ihren Rechteinhabern.

Rubriken

  • Karte
  • Suche
  • Sammlung
  • Meisterwerke
  • Jetzt ausgestellt
  • Künstler

Mehr

  • Museen & Galerien
  • Ausstellungen
  • Journal
  • Woher die Daten stammen
  • Datenschutz & Cookies
StartseiteKarteKatalog
  1. Sammlung/
  2. Victoria and Albert Museum/
  3. A Dying Hero
A Dying Hero, Thomas Banks, 1772-1779
Thomas Banks, PorträtThomas BanksVereinigtes Königreich, 1735–1805

A Dying Hero

1772-1779 · Model

Über die Skulptur

The reclining figure and the subject matter are closely related to a plaster model by Thomas Banks, The Dying Patriot, in Sir John Soane's Museum. The subject matter of the dying hero was one used by Banks in a number of works. The present piece could have been one of those terracottas executed by Banks whilst in Rome (1772-9), which remained in his studio after his death. His daughter Lavinia Forster recorded, 'All the terracottas were models made by my father in Italy, and are valuable to me' [Bell, 1938, p. 196]. This terracotta has recently been ascribed to the Swedish sculptor Johan Tobias Sergel (1740-1814), who was also working in Rome in the 1770s. This attribution remains uncertain though plausible, since both sculptors worked in a closely comparable neo-classical manner.

Weiterlesen

Thomas Banks (1735-1805) was apprenticed to a London mason, but also spent time working alongside the sculptor Peter Scheemakers (1691-1781). He enrolled in the life classes held at the St Martin's Lane Academy, and later at the Royal Academy Schools. In 1772 he became the first sculptor to win the Royal Academy's three-year travelling stipend, and went with his wife to Rome, where he eventually spent seven years. He specialised in ideal works, most of which were executed in Rome for British patrons, although he continued to produce similar work after his return to London. He was made a Royal Academician in 1786. Banks was one of the most original British Neo-classical sculptors, who dedicated his work to the antique spirit rather than to the fashionable classical style alone.. He tried to establish a market for modern gallery sculpture , which was particular for most patrons at the time preferred restored antique marbles, replicas, pastiches, busts and memorials.

Victoria and Albert Museum

Angaben

1772-1779
17351805
Inventarnummer
A.11-1963

Mehr von Thomas Banks

Alle Werke

Im selben Saal · Sculpture, Room 22, The Dorothy and Michael Hintze Galleries, Victoria and Albert Museum

Museumsseite

Zum selben Thema · Warrior

Alle Werke zum Thema

Darf man es sehen?

Ja, es empfängt Besucher

Victoria and Albert Museum

London, Vereinigtes Königreich

SaalSculpture, Room 22, The Dorothy and Michael Hintze Galleries

Öffentlich ausgestellt. Wer dafür bürgt, steht unten.

Geprüft
vor 12 Tagen
Unverändert seit
25. Sept. 2026
Quelle
Das Museum
Auf der KarteMuseumsseite

Was es zeigt

Warrior

Im Katalog

SkulpturTerrakotta und KeramikRokokoKlassizismus18. JahrhundertRom

Quellen

  • Victoria and Albert Museum
  • Bild: Victoria and Albert Museum — © Victoria and Albert Museum, London
Achilles Arming, Thomas Banks, ca. 1777

Achilles Arming

ca. 1777 · Victoria and Albert Museum

Thetis and her nymphs rising from the sea to console Achilles for the loss of Patroclus, Thomas Banks, 1777-1778

Thetis and her nymphs rising from the sea to console Achilles for the loss of Patroclus

1777-1778 · Victoria and Albert Museum

Dr Anthony Addington, Thomas Banks, 1790

Dr Anthony Addington

1790 · Victoria and Albert Museum

Monument to William Shakespeare, James Stow after Thomas Banks, published 1798

Monument to William Shakespeare

published 1798 · Nicht ausgestellt · National Gallery of Art

A Falling Giant, William Bond after William Hilton I after Thomas Banks, published 1811

A Falling Giant

published 1811 · Nicht ausgestellt · National Gallery of Art

Pyramus and Thisbe (recto); Three Male Figures with Mausoleum Floor Plan (verso), Thomas Banks, n.d. (recto); 1770/1789 or 19th c. (verso)

Pyramus and Thisbe (recto); Three Male Figures with Mausoleum Floor Plan (verso)

n.d. (recto); 1770/1789 or 19th c. (verso) · Nicht ausgestellt · Art Institute of Chicago

Alderman John Boydell, Lord Mayor of London in 1790, Thomas Banks, ca. 1791

Alderman John Boydell, Lord Mayor of London in 1790

ca. 1791 · Nicht ausgestellt · Victoria and Albert Museum

Angel in Adoration, Thomas Banks, before 1792

Angel in Adoration

before 1792 · Nicht ausgestellt · Victoria and Albert Museum

Model for Wellington Monument: Truth and Falsehood, Alfred George Stevens, 1867-8

Alfred Stevens

Model for Wellington Monument: Truth and Falsehood, 1867-8

Valour and Cowardice, Alfred George Stevens, 1866

Alfred Stevens

Valour and Cowardice, 1866

Pandora, John Gibson, 1856

John Gibson

Pandora, 1856

Eve listening to the voice, Edward Hodges Baily, 1842

Edward Hodges Baily

Eve listening to the voice, 1842

Maternal Affection, Edward Hodges Baily, 1837

Edward Hodges Baily

Maternal Affection, 1837

Catherine, Lady Stepney (d. 1845) as Cleopatra, Richard Cockle Lucas, ca. 1836

Richard Cockle Lucas

Catherine, Lady Stepney (d. 1845) as Cleopatra, ca. 1836

Nicolò Paganini, Henry Westmacott, 1832

Henry Westmacott

Nicolò Paganini, 1832

Cupid kindling the torch of Hymen, George Rennie, ca. 1831

George Rennie

Cupid kindling the torch of Hymen, ca. 1831

Four Mura Indians, George Catlin, 1854/1869

George Catlin

Four Mura Indians, 1854/1869

Nicht ausgestellt · National Gallery of Art

Four Sepibo Indians, George Catlin, 1854/1869

George Catlin

Four Sepibo Indians, 1854/1869

Nicht ausgestellt · National Gallery of Art

Spokan Chief, Two Warriors, and a Boy, George Catlin, 1855/1869

George Catlin

Spokan Chief, Two Warriors, and a Boy, 1855/1869

Nicht ausgestellt · National Gallery of Art

A Cheyenne Warrior Resting His Horse, George Catlin, 1861/1869

George Catlin

A Cheyenne Warrior Resting His Horse, 1861/1869

Nicht ausgestellt · National Gallery of Art

Four Xingu Indians, George Catlin, 1854/1869

George Catlin

Four Xingu Indians, 1854/1869

Nicht ausgestellt · National Gallery of Art

Klatsop Indians, George Catlin, 1855/1869

George Catlin

Klatsop Indians, 1855/1869

Nicht ausgestellt · National Gallery of Art

Alaeutian Chief and Two Warriors, George Catlin, 1855/1869

George Catlin

Alaeutian Chief and Two Warriors, 1855/1869

Nicht ausgestellt · National Gallery of Art

Four Goo-a-give Indians, George Catlin, 1854/1869

George Catlin

Four Goo-a-give Indians, 1854/1869

Nicht ausgestellt · National Gallery of Art