ART WIKI32.963 ausgestellt
KarteSammlungKünstlerMuseenAusstellungenJournal
Anmelden

ART WIKI

Wo das Meisterwerk hängt und wann man vorgelassen wird.

Sammlungen: Art Institute of Chicago, Cleveland Museum of Art, Eremitage, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Puschkin-Museum, Rijksmuseum Amsterdam, Russisches Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakow-Galerie, Victoria and Albert Museum, Whitney Museum of American Art, Staatskatalog des Museumsfonds Russlands (274 Museen), Europeana (19 Museen), Wikidata (6 Museen), Paris Musées (12 Museen) und Joconde, die Museumsdatenbank des französischen Kulturministeriums (495 Museen). Die Bilder gehören ihren Rechteinhabern.

Rubriken

  • Karte
  • Suche
  • Sammlung
  • Meisterwerke
  • Jetzt ausgestellt
  • Künstler

Mehr

  • Museen & Galerien
  • Ausstellungen
  • Journal
  • Woher die Daten stammen
  • Datenschutz & Cookies
StartseiteKarteKatalog
  1. Sammlung/
  2. Victoria and Albert Museum/
  3. A Bather
A Bather, Étienne-Maurice Falconet, ca. 1758/1766-ca. 1773

A Bather

ca. 1758/1766-ca. 1773 · Figure · 36.5 × 13.5 cm

Angaben

ca. 1758/1766-ca. 1773
17161791
Inventarnummer
384-1874

Derweil im Leben von Etienne-Maurice Falconet

Das ganze Leben
  1. 1757

    Director of the Sèvres porcelain manufactory

    Madame de Pompadour appoints him director of the Sèvres porcelain manufactory: at first he works from drawings by François Boucher, then from his own models, creating more than seventy types of biscuit figurines. The best works of his French years — the portrait of Madame de Pompadour, the paired figures of Cupid and Psyche and the “Bather” — were made in biscuit.

  2. 1764

    Death of his patron, Madame de Pompadour

    The death of the marchioness, for whom he had made “Music”, “Menacing Cupid” and the “Bather” in the Rococo manner then fashionable at court, leaves his “Winter” unfinished.

  3. 1766

    Departs for St Petersburg

    Sets out for Russia, taking the unfinished “Winter” with him; by the time of his arrival Catherine II has agreed to buy the sculpture and all the unfinished works of his workshop at the expense of the Russian treasury.

  4. 1767

    Honorary free associate of the Academy of Arts

    Becomes an honorary free associate of the Imperial Academy of Arts in St Petersburg.

Mehr von Etienne-Maurice Falconet

Alle Werke

Im selben Saal · Ceramics, Room 139, The Curtain Foundation Gallery, Victoria and Albert Museum

Museumsseite

Zum selben Thema · Classicism

Alle Werke zum Thema
Etienne-Maurice Falconet, PorträtEtienne-Maurice FalconetFrankreich, 1716–1791

Darf man es sehen?

Ja, es empfängt Besucher

Victoria and Albert Museum

London, Vereinigtes Königreich

SaalCeramics, Room 139, The Curtain Foundation Gallery

Öffentlich ausgestellt. Wer dafür bürgt, steht unten.

Geprüft
vor 12 Tagen
Unverändert seit
25. Sept. 2026
Quelle
Das Museum
Auf der KarteMuseumsseite

Was es zeigt

ClassicismFrauAktBathers

Im Katalog

SkulpturTerrakotta und KeramikRokoko18. JahrhundertFrankreich

Quellen

  • Victoria and Albert Museum
  • Bild: Victoria and Albert Museum — © Victoria and Albert Museum, London
Venus of the Doves, Etienne-Maurice Falconet

Venus of the Doves

National Gallery of Art

Le Génie de la Sculpture, Falconet, Etienne Maurice, 1745

Le Génie de la Sculpture

1745 · Louvre

La Musique, Falconet, Etienne Maurice, 1752

La Musique

1752 · Louvre

Milon de Crotone, Falconet, Etienne Maurice, 1754

Milon de Crotone

1754 · Louvre

L'Amour menaçant, Falconet, Etienne Maurice, vers 1757

L'Amour menaçant

vers 1757 · Louvre

Baigneuse, Falconet, Etienne Maurice, 1757

Baigneuse

1757 · Louvre

Pygmalion au pied de sa statue qui s'anime, Falconet, Etienne Maurice, 1761

Pygmalion au pied de sa statue qui s'anime

1761 · Louvre

Le Genie de la Sculpture (Allegory of Sculpture), Étienne-Maurice Falconet, ca. 1746

Le Genie de la Sculpture (Allegory of Sculpture)

ca. 1746 · Victoria and Albert Museum

Avarice, Janice Tchalenko, 1993

Janice Tchalenko

Avarice, 1993

Sloth, Janice Tchalenko, 1993

Janice Tchalenko

Sloth, 1993

Gluttony, Janice Tchalenko, 1993

Janice Tchalenko

Gluttony, 1993

Pride, Janice Tchalenko, 1993

Janice Tchalenko

Pride, 1993

Envy, Janice Tchalenko, 1993

Janice Tchalenko

Envy, 1993

Venus et Amour, Philip Eglin, 1990

Philip Eglin

Venus et Amour, 1990

Bølge og fugl, Kari Christensen, 1984

Kari Christensen

Bølge og fugl, 1984

Sipulit, Gunvor Olin-Grönqvist, ca. 1982-1984

Gunvor Olin-Grönqvist

Sipulit, ca. 1982-1984

View of Delphi with a Procession, Claude Lorrain, 1673

Claude Lorrain

View of Delphi with a Procession, 1673

Art Institute of Chicago

Abduction of the Sabines, Giuseppe Angeli, c. 1760

Giuseppe Angeli

Abduction of the Sabines, c. 1760

Nicht ausgestellt · Art Institute of Chicago

Narcissus, Valerio Cioli, ca. 1560

Valerio Cioli

Narcissus, ca. 1560

Victoria and Albert Museum

A Shepherdess, Charles-Gabriel Lemire, ca. 1780s

Charles-Gabriel Lemire

A Shepherdess, ca. 1780s

Victoria and Albert Museum

Cupid and Psyche, Clodion, ca. 1797-1800

Claude Michel

Cupid and Psyche, ca. 1797-1800

Victoria and Albert Museum

A Nymph and Cupid, Locré and Russinger's porcelain factory, ca. 1785

Locré and Russinger's porcelain factory

A Nymph and Cupid, ca. 1785

Victoria and Albert Museum

Design for the Broadmoor Stage Drop-Curtain, Richard Dadd, 1873

Richard Dadd

Design for the Broadmoor Stage Drop-Curtain, 1873

Victoria and Albert Museum

The Apotheosis of Henry VIII, Robert Pyte, ca. 1546

Robert Pyte

The Apotheosis of Henry VIII, ca. 1546

Nicht ausgestellt · Victoria and Albert Museum