Winter Trees Reflected in a Pond, William Henry Fox Talbot, 1841–42
William Henry Fox Talbot, portrætWilliam Henry Fox TalbotEngland, 1800–1877

Winter Trees Reflected in a Pond

1841–42 · Photograph

Må man se det?

Tager ikke imod for tiden

Det hører til samlingen, men er ikke udstillet for tiden.

Kontrolleret
Uændret siden
Kilde
Museet

Om værket

Talbot captured tree branches flawlessly mirrored on the glassy surface of the pond at his family seat, the 13th-century Lacock Abbey in Wiltshire. A longer exposure, or a lusher season, would have risked a blurred image. The result was a radically abstract composition for its time—a starkly beautiful landscape, as expressive and personal as any painting.

The Cleveland Museum of Art

Oplysninger

Inventarnummer
2006.4

I kataloget

Kilder

Imens i livet hos William Henry Fox Talbot

Hele livet
  1. 1839

    Daughter born: Matilda Caroline Talbot

  2. 25 January 1839

    First showing of photographs at the Royal Institution

    Shortly after Louis Daguerre’s daguerreotype was announced in early January, Talbot asserted his priority and, at a Friday Evening Discourse at the Royal Institution, exhibited several paper photographs he had made in 1835. Within a fortnight he described the nature of his process to the Royal Society, while Daguerre revealed no useful details of his own until mid-August.

  3. 1840

    Invents the calotype

    Talbot found a way to print any number of positives on salted paper from a paper negative; new chemicals cut the exposure to a minute in bright sunlight. He called the method the “calotype” (from kalos, beautiful), informally the “talbotype”: unlike the daguerreotype with its single positive, it effectively created modern photography.

  4. 1840–1841

    Post: High Sheriff of Wiltshire

  5. February 1841

    Patents the calotype

    Talbot obtained an English patent for the calotype process and sold licences at £20 each, later lowering the fee for amateurs to £4 while professionals paid up to £300 a year; scientists saw it as a hindrance to scientific freedom. He justified his rigour by the roughly £5,000 he had spent on photography; for science the method was free, and Talbot himself published the first known photomicrograph of a mineral crystal.

  6. 1844–1846

    “The Pencil of Nature”, the first photobook, appears

    Longman, Brown, Green & Longmans issued the book in separate parts: 24 prints, each pasted in by hand and accompanied by a short text. Talbot is regarded as the author of the first photographic book; scholars see in it the design of a new canon built on biblical rhetoric.

Alle værker

Naboer på The Cleveland Museum of Art

Museets side