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  1. Samling/
  2. Minneapolis Institute of Art/
  3. The Prodigal Son
The Prodigal Son, Albrecht Dürer, 1496
Albrecht Dürer, portrætAlbrecht DürerTyskland, 1471–1528

The Prodigal Son

1496 · Print · 24.61 × 18.58 cm

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Minneapolis Institute of Art

Minneapolis, USA

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Kontrolleret
for 3 dage siden
Uændret siden
25. sep. 2026
Kilde
Museet
På kortetMuseets side

Oplysninger

1496 · 25 år gammel
14711528
Inventarnummer
2001.254.12

I kataloget

GrafikKobberstikRenæssancen1400-talletTyskland

Kilder

  • Minneapolis Institute of Art
  • Billede: Minneapolis Institute of Art — public domain

Imens i livet hos Albrecht Dürer

Hele livet
  1. c. 1492 – 1494

    Basel: woodcuts for the printers

    In Basel, a centre of printing, Dürer stayed with Georg Schongauer. A woodblock for the title page of the Letters of St Jerome (1492), signed with his name on the back, led to the works of the “Master of the Bergmann Press” being attributed to him; he may also have worked on the woodcuts for Sebastian Brant's Ship of Fools.

  2. July 1494

    Marries Agnes Frey

    Soon after returning to Nuremberg the 23-year-old Dürer married Agnes Frey, daughter of a prominent brass worker and amateur harpist; the match had been arranged in his absence, and marriage was required to open a workshop of his own. They had no children, and his letters suggest the marriage was not a happy one.

  3. 7. juli 1494

    Married: Agnes Dürer

  4. 1494–1495

    First journey to Italy

    Within three months of the wedding Dürer left alone for Italy, perhaps fleeing an outbreak of plague in Nuremberg. Crossing the Alps he made watercolour landscapes; in Venice he studied its art and judged Giovanni Bellini the best of its painters; Mantegna and Pollaiuolo left their mark on him.

  5. 1495

    Opens his own workshop

    Dürer opened his own workshop in Nuremberg, where over the next ten years he created much of his printmaking. His godfather, the publisher Anton Koberger, helped issue the first series; the city's crafts were governed by the Council rather than guilds, leaving him free to try new techniques and sell his own impressions.

Mere af Albrecht Dürer

Alle værker
Virgin and Child with Saint Anne, Albrecht Dürer, probably 1519

Virgin and Child with Saint Anne

probably 1519 · Metropolitan Museum of Art

Female Nude Seen from Behind, Albrecht Dürer, early 17th century

Female Nude Seen from Behind

early 17th century · Metropolitan Museum of Art

Madonna and Child [obverse], Albrecht Dürer, c. 1496/1499

Madonna og barn.

c. 1496/1499 · National Gallery of Art

Lot and His Daughters [reverse], Albrecht Dürer, c. 1496/1499

Lot and His Daughters [reverse]

c. 1496/1499 · National Gallery of Art

The Martyrdom of Saint Catherine, Albrecht Dürer, ca. 1498

The Martyrdom of Saint Catherine

ca. 1498 · Metropolitan Museum of Art

Nemesis (The Great Fortune), Albrecht Dürer, c. 1501/1502

Nemesis (The Great Fortune)

c. 1501/1502 · The Cleveland Museum of Art

Large Horse, Albrecht Dürer, 1505

Large Horse

1505 · The Cleveland Museum of Art

The Lamentation, Albrecht Dürer, 1507

The Lamentation

1507 · The Cleveland Museum of Art

Naboer på Minneapolis Institute of Art

Museets side
Olive Trees, Vincent van Gogh, 1889

Vincent van Gogh

Olive Trees, 1889

Grainstack, Sun in the Mist, Claude Monet, 1891

Claude Monet

Grainstack, Sun in the Mist, 1891

Lucretia, Rembrandt van Rijn, 1666

Rembrandt van Rijn

Lucretia, 1666

Self-Portrait with Dr. Arrieta, Francisco José de Goya y Lucientes, 1820

Francisco de Goya

Self-Portrait with Dr. Arrieta, 1820

Study for Improvisation V, Vassily Kandinsky, 1910

Vasily Kandinsky

Study for Improvisation V, 1910

Tahitian Landscape, Paul Gauguin, 1891

Paul Gauguin

Tahitian Landscape, 1891

Chestnut Trees at Jas de Bouffan, Paul Cézanne, c. 1885–86

Paul Cézanne

Chestnut Trees at Jas de Bouffan, c. 1885–86

The Union of England and Scotland (Charles I as the Prince of Wales), Peter Paul Rubens, 1633–34

Peter Paul Rubens

The Union of England and Scotland (Charles I as the Prince of Wales), 1633–34