The Old Guitarist, Pablo Picasso, late 1903–early 1904
Pablo Picasso, portrætPablo PicassoSpanien, 1881–1973

The Old Guitarist

late 1903–early 1904 · Oil on panel

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The Old Guitarist is an oil painting by Pablo Picasso, which he created in late 1903 and early 1904. It depicts an elderly musician, a haggard man with threadbare clothing, who is hunched over his guitar while playing in the streets of Barcelona, Spain. It is on display at the Art Institute of Chicago as part of the Helen Birch Bartlett Memorial Collection.

At the time of The Old Guitarist's creation, Modernism, Impressionism, Post-Impressionism, and Symbolism had greatly influenced Picasso's style. Furthermore, El Greco, Picasso's poor standard of living, and the suicide of his dear friend Carlos Casagemas influenced Picasso's style at the time which came to be known as his Blue Period. Several x-rays, infrared images and examinations by curators revealed three different figures hidden behind the old guitarist.

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Pablo Picasso made The Old Guitarist while working in Barcelona. In the paintings of his Blue Period (1901-04), the artist restricted himself to a cold, monochromatic blue palette, flattened forms, and emotional, psychological themes of human misery and alienation related to the work of such artists as Edvard Munch and Paul Gauguin. The elongated, angular figure of the blind musician also relates to Picasso's interest in Spanish art and, in particular, the great 16th-century artist El Greco. The image reflects the twenty-two-year-old Picasso's personal struggle and sympathy for the plight of the downtrodden; he knew what it was like to be poor, having been nearly penniless during all of 1902.

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  1. 1895–1904 · Virkested

    Barcelona

  2. 17 February 1901

    Suicide of Carlos Casagemas

    The suicide of his close friend Carlos Casagemas deeply shook the young Picasso and became one of the impulses behind the Blue Period.

  3. 1901–1904

    The Blue Period

    The Blue Period began — somber paintings in blue-green tones with themes of poverty and sorrow; Picasso divided his time between Barcelona and Paris.

  4. 1904

    Move to Paris, Beginning of the Rose Period

    Picasso settled in the Bateau-Lavoir residence in Montmartre; the sorrow of the Blue Period gave way to images of the theater and the circus — the Rose Period began.

  5. 1904

    Meeting Fernande Olivier

    In Paris Picasso met the bohemian artist Fernande Olivier, who became his lover and the model for many Rose Period paintings.

  6. 1905

    Meeting the Steins and Matisse

    Picasso became a favorite of the collectors Leo and Gertrude Stein; at one of Gertrude Stein's gatherings in 1905 he met Henri Matisse — a lifelong friend and rival.

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