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  1. Samling/
  2. The Cleveland Museum of Art/
  3. The Holy Trinity
The Holy Trinity, Albrecht Dürer, 1511
Albrecht Dürer, portrætAlbrecht DürerTyskland, 1471–1528

The Holy Trinity

1511 · Print

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The Cleveland Museum of Art

Cleveland, USA

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Uændret siden
19. aug. 2026
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På kortetMuseets side

Om værket

The Holy Trinity represents the pinnacle of Dürer's achievement in woodcut. Using a system of parallel lines, crosshatching, and dashes of varying densities, he attained a wide range of tone and an extremely subtle representation of three-dimensional forms and spatial depth. In addition, he utilized white areas of the paper to heighten parts of the composition for an intensely dramatic effect.

The Cleveland Museum of Art

Oplysninger

1511 · 40 år gammel
14711528
Inventarnummer
1926.106

I kataloget

GrafikTræsnitRenæssancen1500-talletTyskland

Kilder

  • The Cleveland Museum of Art
  • Billede: The Cleveland Museum of Art — Museum open access

Imens i livet hos Albrecht Dürer

Hele livet
  1. 1507–1528 · Virkested

    Nuremberg

  2. 1509

    Elected to Nuremberg's Greater Council

    Dürer was elected a nominated member of Nuremberg's Greater Council; in that role he may have taken part in the city's artistic projects.

  3. 1509

    Buys a large house in Nuremberg

    Dürer bought a large house from the heirs of the astronomer Bernhard Walther; it housed his workshop, and his widow lived there after his death until 1539.

  4. 1511

    Publishes the Great Passion and the Life of the Virgin

    Dürer published two woodcut series as books, the Great Passion and the Life of the Virgin, with a second edition of the Apocalypse and the 37 woodcuts of the Little Passion. His post-Venetian woodcuts developed chiaroscuro modelling.

  5. 1512

    Emperor Maximilian I becomes his chief patron

    From 1512 Emperor Maximilian I was Dürer's chief patron. For him Dürer and his workshop produced the Triumphal Arch, a giant woodcut 295 × 357 cm printed from 192 blocks and modelled on the triumphal arches of ancient Rome.

  6. 3 January 1512

    Nuremberg's privilege against forgeries

    Nuremberg's city council granted Dürer a privilege for the sale of his prints, with penalties for anyone who forged them.

Mere af Albrecht Dürer

Alle værker
Virgin and Child with Saint Anne, Albrecht Dürer, probably 1519

Virgin and Child with Saint Anne

probably 1519 · Metropolitan Museum of Art

Female Nude Seen from Behind, Albrecht Dürer, early 17th century

Female Nude Seen from Behind

early 17th century · Metropolitan Museum of Art

Madonna and Child [obverse], Albrecht Dürer, c. 1496/1499

Madonna og barn.

c. 1496/1499 · National Gallery of Art

Lot and His Daughters [reverse], Albrecht Dürer, c. 1496/1499

Lot and His Daughters [reverse]

c. 1496/1499 · National Gallery of Art

The Martyrdom of Saint Catherine, Albrecht Dürer, ca. 1498

The Martyrdom of Saint Catherine

ca. 1498 · Metropolitan Museum of Art

Nemesis (The Great Fortune), Albrecht Dürer, c. 1501/1502

Nemesis (The Great Fortune)

c. 1501/1502 · The Cleveland Museum of Art

Large Horse, Albrecht Dürer, 1505

Large Horse

1505 · The Cleveland Museum of Art

The Lamentation, Albrecht Dürer, 1507

The Lamentation

1507 · The Cleveland Museum of Art

Naboer på The Cleveland Museum of Art

Museets side
The Red Kerchief, Claude Monet, c. 1868–73

Claude Monet

The Red Kerchief, c. 1868–73

Melencolia I, Albrecht Dürer, 1514

Albrecht Dürer

Melencolia I, 1514

The Virgin and Child with the Pear, Albrecht Dürer, 1511

Albrecht Dürer

The Virgin and Child with the Pear, 1511

The Nativity, Albrecht Dürer, probably c. 1509/1510

Albrecht Dürer

The Nativity, probably c. 1509/1510

The Virgin and Child on a Crescent with a Starry Crown, Albrecht Dürer, 1508

Albrecht Dürer

The Virgin and Child on a Crescent with a Starry Crown, 1508

The Lamentation, Albrecht Dürer, 1507

Albrecht Dürer

The Lamentation, 1507

Large Horse, Albrecht Dürer, 1505

Albrecht Dürer

Large Horse, 1505

Nemesis (The Great Fortune), Albrecht Dürer, c. 1501/1502

Albrecht Dürer

Nemesis (The Great Fortune), c. 1501/1502