The Herring Net, Winslow Homer, 1885
Winslow Homer, portrætWinslow HomerUSA, 1836–1910

The Herring Net

1885 · Painting

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In 1883 Winslow Homer moved to the small coastal village of Prouts Neck, Maine, where he created a series of paintings of the sea unparalleled in American art. Long inspired by the subject, Homer had spent summers visiting New England fishing villages during the 1870s, and in 1881–82 he made a trip to a fishing community in Cullercoats, England, that fundamentally changed his work and his life. The paintings he created after 1882 focus almost exclusively on humankind’s age-old contest with nature. Here Homer depicted the heroic efforts of fishermen at their daily work, hauling in an abundant catch of herring. In a small dory, two figures loom large against the mist on the horizon, through which the sails of the mother schooners are dimly visible. While one fisherman hauls in the netted and glistening herring, the other unloads the catch.

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Utilizing the teamwork so necessary for survival, both strive to steady the precarious boat as it rides the incoming swells. Homer’s isolation of these two figures underscores the monumentality of their task: the elemental struggle against a sea that both nurtures and deprives.

Art Institute of ChicagoCC BY 4.0

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Inventarnummer
1937.1039

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Imens i livet hos Winslow Homer

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  1. summer 1883

    Moves to Prouts Neck

    In the summer of 1883 Homer moved from New York to Prouts Neck, a peninsula ten miles south of Portland, Maine, and lived there for the rest of his life, using solitude to work. He settled on the family estate, in a remodelled carriage house seventy-five feet from the ocean.

  2. 1884

    Death of his mother

    In 1884 Homer's mother died: his first teacher and the strongest influence on him. After her death he became a “parent” to his ageing but domineering father, and his sister-in-law Martha (“Mattie”) became his closest female intimate.

  3. winter 1884 – 1885

    Florida, Cuba and the Bahamas

    In the winter of 1884–1885 Homer travelled to Florida, Cuba and the Bahamas, painting a series of watercolours commissioned by Century Magazine: the storm-tossed green sea of Prouts Neck gave way to the sparkling blue skies of the Caribbean, and for Edith Blake, wife of the governor of the Bahamas, he painted “Children Under a Palm Tree”. “A Garden in Nassau” (1885) is one of the best of these watercolours, but they proved too advanced for traditional buyers.

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