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  1. Samling/
  2. National Gallery of Art/
  3. Study for "Swiss Sentry at the Louvre"
Study for "Swiss Sentry at the Louvre", Théodore Gericault, c. 1819
Théodore Géricault, portrætThéodore GéricaultFrankrig, 1791–1824

Study for "Swiss Sentry at the Louvre"

c. 1819 · Drawing

Må man se det?

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National Gallery of Art

Washington, D.C., USA

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for 3 dage siden
Uændret siden
19. aug. 2026
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Museet
På kortetMuseets side

Oplysninger

c. 1819
17911824
Inventarnummer
1952.8.239

Hvad det viser

StandingMale

I kataloget

Tegninger & akvarellerBlyantKlassicismeRomantikken1800-talletFrenchRomantic

Kilder

  • National Gallery of Art
  • Billede: National Gallery of Art — Museum open access

Imens i livet hos Théodore Géricault

Hele livet
  1. 1816–1817

    Naples and Rome: the shock of Michelangelo

    Géricault visited Naples, drawing the landscapes and people, but spent most of his time in Rome. The frescoes of the Sistine Chapel shook him: Michelangelo's monumentality of form inspired his pen drawings, such as “Man Felling a Bull”, among the most interesting made in Rome.

  2. autumn 1817

    The book on the wreck of the Méduse reaches Géricault

    In the autumn of 1817 the book “The Wreck of the Frigate Medusa” appeared, in which the eyewitnesses, the geographer-engineer Alexandre Corréard and the physician Henri Savigny, described the thirteen-day drift of the raft after the ship ran aground off the coast of Mauritania. The book reached Géricault, who saw in it the subject for the large painting he had long dreamed of.

  3. 1817–1818

    Investigating the disaster: survivors, a model raft, morgues

    Géricault re-created the event by studying the available materials and meeting witnesses: he got to know Corréard and Savigny, a carpenter from the Méduse made a scale model of the raft for him, and the artist modelled wax figures himself. He visited hospital morgues, drawing dead heads, emaciated bodies and severed limbs, and the preparation ended with a trip to Le Havre, where he painted studies of sea and sky.

  4. 1819

    “The Raft of the Medusa” sparks a political controversy at the Salon

    When first exhibited at the Paris Salon of 1819, “The Raft of the Medusa” ignited political controversy: it indicted a corrupt establishment, in which the captain had left the crew and passengers to die, but also dramatized the eternal struggle of man against nature.

  5. 12 June – 30 December 1820

    London: 50,000 visitors and 20,000 francs

    The entrepreneur Bullock exhibited “The Raft of the Medusa” in London from 12 June to 30 December 1820; about 50,000 people saw it, critics called it a masterpiece, and its author was compared to Michelangelo and Caravaggio. Géricault was entitled to a third of the ticket receipts and received 20,000 francs.

  6. 1821–1824

    Illness and falls from horses after his return from England

    After returning to Paris from England Géricault was often ill, and his condition was made worse by several falls during horseback rides.

Mere af Théodore Géricault

Alle værker
Le radeau de la Méduse, Géricault, Théodore, 1e quart du XIXe siècle (1818 - 1819)

Medusas Tømmerflåde

1e quart du XIXe siècle (1818 - 1819) · Louvre

Flayed Horse III, Théodore Gericault, model c. 1820/1824, cast 1959-1960

Flayed Horse III

model c. 1820/1824, cast 1959-1960 · National Gallery of Art

La tempête ou L'épave, Géricault, Théodore, 1e quart du XIXe siècle (1800 - 1825)

La tempête ou L'épave

1e quart du XIXe siècle (1800 - 1825) · Louvre

Un carabinier, vu à mi-corps., Géricault, Théodore, 1e quart du XIXe siècle (1800 - 1825)

Un carabinier, vu à mi-corps.

1e quart du XIXe siècle (1800 - 1825) · Louvre

Cuirassier blessé, Géricault, Théodore, 1e quart du XIXe siècle (1800 - 1825)

Cuirassier blessé

1e quart du XIXe siècle (1800 - 1825) · Louvre

Portrait d'homme, dit le Vendéen, Géricault, Théodore, 1e quart du XIXe siècle (1800 - 1825)

Portrait d'homme, dit le Vendéen

1e quart du XIXe siècle (1800 - 1825) · Louvre

Course de Chevaux montés allant à gauche, au moment du départ., Géricault, Théodore, 1e quart du XIXe siècle (1800 - 1825)

Course de Chevaux montés allant à gauche, au moment du départ.

1e quart du XIXe siècle (1800 - 1825) · Louvre

Deux chevaux de poste à la porte d'une écurie, Géricault, Théodore, 1e quart du XIXe siècle (1800 - 1825)

Deux chevaux de poste à la porte d'une écurie

1e quart du XIXe siècle (1800 - 1825) · Louvre

Naboer på National Gallery of Art

Museets side
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Ginevra de' Benci [obverse], c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888