Socle pour un buste, Auguste Rodin, 1891 entre,1910 et
Auguste Rodin, portrætAuguste RodinFrankrig, 1840–1917

Socle pour un buste

1891 entre,1910 et · Drawing · 22 × 17.3 cm

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Musée Rodin

Paris, Frankrig

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  • Musée Rodin
  • Billede: Musée Rodin — © Jean de Calan; Ministère de la Culture (France), base Joconde

Imens i livet hos Auguste Rodin

Hele livet
  1. 1889

    Rodin and Monet at the Georges Petit gallery

    “The Burghers of Calais” was the main event of a joint exhibition of Rodin and Claude Monet: thirty-six sculptures by Rodin and seventy paintings by Monet.

  2. 1891

    Commission for the Balzac monument

    The Société des Gens de Lettres, largely through the personal efforts of its president, Émile Zola, commissioned a monument to Balzac to be delivered in two years. Rodin pictured a massive standing figure with a large head and a body hidden in drapery, but he missed the deadline.

  3. 1893

    Chicago: nudes behind a drape

    Through the curator Sarah Hallowell, Rodin sent “Cupid and Psyche”, “Sphinx” and “Andromeda” to the Chicago World's Fair; the nudes caused such controversy that they were hidden behind a drape, with special permission needed to see them. Even so, the financier Charles Yerkes bought two large marbles and was probably the first American to own a Rodin.

  4. 1898

    Parts from Camille Claudel

    Rodin never gave up Rose Beuret, his companion of the lean years and the mother of his son; in 1898 he and Claudel parted. A few years later Claudel suffered what is called a nervous breakdown, and her family confined her to an institution for thirty years.

  5. 1898

    The scandal over “Balzac”

    The monument's showing in 1898 caused a storm: the Société des Gens de Lettres rejected it, the press ran parodies, and Monet, Debussy and the future premier Clemenceau signed a manifesto in Rodin's defence. Rodin repaid the commission and moved the statue to his garden; he never completed another public commission.

  6. 1900

    Rodin's pavilion at the World's Fair

    The French government gave him an entire pavilion: a retrospective of 136 sculptures and 14 unfinished works showed “The Gates of Hell” for the first time. The exhibition brought sales of sculptures to museums around the world worth about 200,000 francs.

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