Liubov PopovaRusland, 1889–1924Six Prints
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Museum of Modern Art
New York City, USA
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Imens i livet hos Liubov Popova
Hele livet1914–1915
Her Moscow home becomes a meeting-place for artists and writers
From 1914 to 1915 her home in Moscow is a meeting-place for artists and writers.
1914–1916
Takes part in the avant-garde exhibitions
Together with Aleksandra Ekster, Nadezhda Udaltsova and Olga Rozanova she contributes to the “Knave of Diamonds” exhibitions, to “Tramway V” in Petrograd, to “0.10” and to “The Store”; at “0.10” she shows several figurative painted cardboard reliefs in a Cubist-derived style.
1916
Joins Malevich’s group “Supremus”
She joins Kazimir Malevich’s group Supremus; together with Aleksandra Ekster, Ivan Kliun, Nadezhda Udaltsova, Olga Rozanova, Ivan Puni, Nina Genke, Ksenia Boguslavskaya and others she works at the Verbovka village folk centre.
1917
Works on fabrics, books and posters
As early as 1917, alongside her Suprematist work, she makes fabric designs and works on agitprop books and posters. In time she will identify herself entirely with the aims of the Revolution, working in poster, book design, fabric and theatre design, and in teaching.
1918
Marries Boris von Eding
She marries the art historian Boris von Eding, author of a study, “Rostov Veliky, Uglich”, in the series “Monuments of Artistic Antiquity”; their son is born the same year.
1918
The Tenth State Exhibition
At the Tenth State Exhibition, “Non-Objective Creativity and Suprematism”, she shows her series of architectonic paintings.
