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  1. Samling/
  2. Museum of Modern Art/
  3. Stjernenatten
Stjernenatten, Vincent van Gogh, 1889
Vincent van Gogh, portrætVincent van GoghHolland, 1853–1890

Stjernenatten

The Starry Night

1889 · Oil on canvas · 73.7 × 92.1 cm (29 × 36 1/4 in.)

MesterværkNr. 2af verdens hundrede mest berømte malerier

Om maleriet

Stjernenatten er et maleri af Vincent van Gogh fra juni 1889. Det er udført i olie på lærred og fylder 73,7 × 92,1 cm. Det opbevares på Museum of Modern Art i New York. Vincent Van Gogh malede det da han var indlagt på Saint-Paul-de-Mausole sindssygehospital i Saint-Remy-de-Provence da han havde skåret en del af sit venstre øre af med en baberkniv efter han havde truet Paul Gauguin med den.

Wikipedia · CC BY-SA

Oplysninger

1889 · 36 år gammel
18531890
Inventarnummer
472.1941

Imens i livet hos Vincent van Gogh

Hele livet
  1. 1888

    To Arles, dreaming of a “Studio of the South”

    The public still neither accepted nor bought his paintings, and in February 1888 Van Gogh left for Arles in the south of France to found a “Studio of the South”, a brotherhood of like-minded artists in which he gave Gauguin the leading role. Theo backed the plan with money.

  2. 23 October 1888

    Gauguin arrives in Arles

    After much pleading Gauguin arrived in Arles, and in November the two painted together: Gauguin portrayed Van Gogh in “The Painter of Sunflowers”, and their first joint outing was to the Alyscamps. At Gauguin's suggestion Vincent painted from memory, producing “Memory of the Garden at Etten”.

  3. 23 December 1888

    The severed ear

    After an altercation on the evening of 23 December, Van Gogh, seemingly hearing voices, severed his left ear, wholly or in part, with a razor and delivered it, wrapped in paper, to a woman at a brothel. Next morning a policeman found him unconscious; in hospital he was diagnosed with “acute mania with generalised delirium”.

  4. 1889

    Voluntarily into the Saint-Paul asylum

    Van Gogh left Arles and voluntarily entered the Saint-Paul-de-Mausole asylum, a former monastery in Saint-Rémy-de-Provence, accompanied by the Protestant clergyman Frédéric Salles. Of his two cells with barred windows one became a studio, and the clinic and its garden became the main subjects of his paintings.

  5. 27 July 1890

    A fatal wound: a revolver shot

Mere af Vincent van Gogh

Alle værker

I samme sal · MoMA, Floor 5, 501, Museum of Modern Art

Museets side

Out painting, Van Gogh shot himself in the chest with a revolver he had bought to scare off birds while working outdoors; the bullet passed below his heart, and he made his own way back to his room at the inn. Theo arrived the next day and stayed with him to the end; according to Theo, Vincent's last words were: “The sadness will last forever.”

  • 29. juli 1890

    Died

  • Må man se det?

    Ja, det tager imod

    Museum of Modern Art

    New York City, USA

    SalMoMA, 5. etage, 501

    Udstillet for publikum. Hvem der står inde for det, står nedenfor.

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    I kataloget

    MalerierOlieNederlandsk maleriImpressionisme1800-tallet

    Kilder

    • ART WIKIs egne undersøgelser
    • Museum of Modern Art
    • Billede: Wikimedia Commons — Public domain (PD-Art)
    Self-Portrait with a Straw Hat (obverse: The Potato Peeler), Vincent van Gogh, 1887

    Self-Portrait with a Straw Hat (obverse: The Potato Peeler)

    1887 · Metropolitan Museum of Art

    Self-portrait, Vincent van Gogh, 1887

    Self-portrait

    1887 · Rijksmuseum Amsterdam

    Madame Roulin and Her Baby, Vincent van Gogh, 1888

    Madame Roulin and Her Baby

    1888 · Metropolitan Museum of Art

    Wheat Field with Cypresses, Vincent van Gogh, 1889

    Wheat Field with Cypresses

    1889 · Metropolitan Museum of Art

    Olive Trees, Vincent van Gogh, 1889

    Olive Trees

    1889 · Minneapolis Institute of Art

    Irises, Vincent van Gogh, 1890

    Irises

    1890 · Metropolitan Museum of Art

    Het Singel bij de Lutherse Kerk te Amsterdam, Vincent van Gogh, 1885

    Het Singel bij de Lutherse Kerk te Amsterdam

    1885 · Rijksmuseum Amsterdam

    The Potato Peeler (reverse: Self-Portrait with a Straw Hat), Vincent van Gogh, 1885

    The Potato Peeler (reverse: Self-Portrait with a Straw Hat)

    1885 · Metropolitan Museum of Art

    The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

    Vincent van Gogh

    The Olive Trees, Saint Rémy, June-July 1889

    Still Life with Three Puppies, Paul Gauguin, 1888

    Paul Gauguin

    Still Life with Three Puppies, 1888

    Pines and Rocks (Fontainebleau?), Paul Cézanne, c. 1897

    Paul Cézanne

    Pines and Rocks (Fontainebleau?), c. 1897

    Evening, Honfleur, Georges-Pierre Seurat, 1886

    Georges Seurat

    Evening, Honfleur, 1886

    Grandcamp, Evening, Georges-Pierre Seurat, 1885, painted border c. 1888-89

    Georges Seurat

    Grandcamp, Evening, 1885, painted border c. 1888-89

    Drawing of Scene 9: Landing Right in the Moon's Eye!!! of the 1902 film A Trip to the Moon (Le Voyage dans la lune), Georges Méliès, c. 1930–31

    Georges Méliès

    Drawing of Scene 9: Landing Right in the Moon's Eye!!! of the 1902 film A Trip to the Moon (Le Voyage dans la lune), c. 1930–31

    Drawing of Scene 15: In The Interior of The Moon. The Giant Mushroom Grotto of the 1902 film A Trip to the Moon (Le Voyage dans la lune), Georges Méliès, c. 1930–31

    Georges Méliès

    Drawing of Scene 15: In The Interior of The Moon. The Giant Mushroom Grotto of the 1902 film A Trip to the Moon (Le Voyage dans la lune), c. 1930–31

    Drawing of Scene 12: The Dream: The Belies, The Great Bear, Phoebus, The Twin Stars, Saturn of the 1902 film A Trip to the Moon (Le Voyage dans la lune), Georges Méliès, c. 1930–31

    Georges Méliès

    Drawing of Scene 12: The Dream: The Belies, The Great Bear, Phoebus, The Twin Stars, Saturn of the 1902 film A Trip to the Moon (Le Voyage dans la lune), c. 1930–31