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  1. Samling/
  2. Minneapolis Institute of Art/
  3. Satyr and Nymph
Satyr and Nymph, Ferdinando Tacca, 17th century
Ferdinando Tacca, portrætFerdinando TaccaItalien, 1619–1686

Satyr and Nymph

17th century · Sculpture

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Minneapolis Institute of Art

Minneapolis, USA

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Uændret siden
25. sep. 2026
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Museet
På kortetMuseets side

Om skulpturen

A mostly nude nymph slumbers against a rock, while a half-man, half-goat Satyr reaches toward her. What are his intentions, and what happens next? In Renaissance and Baroque symbolism, the female figure often stands for the human soul, whereas the male—especially when characterized by a Satyr or other hybrid animal—symbolizes the bodily forces of hunger, thirst, and sexual lust. This sculpture presents a pivotal, open-ended moment, and the viewer is left to imagine what follows. In the 1600s, this kind of artwork was used as a conversation piece that prompted intellectuals to ponder the meaning and the conclusion of the scene.

Minneapolis Institute of Art

Oplysninger

Inventarnummer
58.21

I kataloget

SkulpturBronzeItalien

Kilder

  • Minneapolis Institute of Art
  • Billede: Minneapolis Institute of Art — public domain

Mere af Ferdinando Tacca

Alle værker
Christ bearing the cross, Ferdinando Tacca, mid-17th century

Christ bearing the cross

mid-17th century · Metropolitan Museum of Art

Groupe sculpté : Roger et Angélique, Tacca, Ferdinando, époque moderne = Ancien Régime (Occident)

Date de création/fabrication : 1650 - 1700

Groupe sculpté : Roger et Angélique

époque moderne = Ancien Régime (Occident) Date de création/fabrication : 1650 - 1700 · Louvre

Bireno and Olimpia, Ferdinando Tacca, 1640/50

Bireno and Olimpia

1640/50 · Art Institute of Chicago

Putto Holding Shield to His Right, Ferdinando Tacca, 1650–1655

Putto Holding Shield to His Right

1650–1655 · Ikke udstillet · J. Paul Getty Museum

Putto Holding Shield to His Left, Ferdinando Tacca, 1650–1655

Putto Holding Shield to His Left

1650–1655 · Ikke udstillet · J. Paul Getty Museum

Dido (or Lucretia?), Ferdinando Tacca, c. 1660

Dido (or Lucretia?)

c. 1660 · Rijksmuseum Amsterdam

Triton, Ferdinando Tacca, first quarter of the 17th century

Triton

first quarter of the 17th century · Ikke udstillet · Victoria and Albert Museum

Rearing Stallion, Ferdinando Tacca, c. 1650

Rearing Stallion

c. 1650 · Ikke udstillet · National Gallery of Art

Naboer på Minneapolis Institute of Art

Museets side
Olive Trees, Vincent van Gogh, 1889

Vincent van Gogh

Olive Trees, 1889

Grainstack, Sun in the Mist, Claude Monet, 1891

Claude Monet

Grainstack, Sun in the Mist, 1891

Lucretia, Rembrandt van Rijn, 1666

Rembrandt van Rijn

Lucretia, 1666

Self-Portrait with Dr. Arrieta, Francisco José de Goya y Lucientes, 1820

Francisco de Goya

Self-Portrait with Dr. Arrieta, 1820

Study for Improvisation V, Vassily Kandinsky, 1910

Vasily Kandinsky

Study for Improvisation V, 1910

Tahitian Landscape, Paul Gauguin, 1891

Paul Gauguin

Tahitian Landscape, 1891

Chestnut Trees at Jas de Bouffan, Paul Cézanne, c. 1885–86

Paul Cézanne

Chestnut Trees at Jas de Bouffan, c. 1885–86

The Union of England and Scotland (Charles I as the Prince of Wales), Peter Paul Rubens, 1633–34

Peter Paul Rubens

The Union of England and Scotland (Charles I as the Prince of Wales), 1633–34