Ilya RepinUkraine, 1844–1930Садко
Må man se det?
Ja, det tager imod
Det Russiske Museum
SalMikhaylovskiy dvorets, Zal 33. I. Ye. RepinSankt Petersborg, Rusland
Udstillet for publikum. Hvem der står inde for det, står nedenfor.
- Kontrolleret
- for 6 dage siden
- Uændret siden
- 28. sep. 2026
- Kilde
- Museets egne samlingsdata
About the painting
Sadko, also known as Sadko in the Underwater Kingdom (Russian: Садко в Подводном царстве, romanized: Sadko v Podvodnom tsarstve), is an oil-on-canvas painting by Ilya Repin, made in 1876 during a visit to France. Based on a Russian epic poem, it depicts the merchant and musician Sadko who must choose one of the daughters of the Sea Tsar to marry.
Tsesarevich Alexander Alexandrovich, the future Tsar Alexander III, bought the painting which is in the collection of the Russian Museum in Saint Petersburg.
Oplysninger
- Inventarnummer
- Ж-4002
What it shows
I kataloget
Kilder
- Det Russiske Museum: the museum's own open data · hentet for 6 dage siden
- Billede: Det Russiske Museum — © State Russian Museum
Imens i livet hos Ilya Repin
Hele livetApril 1873 – 1876
Pensionerskaya poyezdka: Vena, Italy, Paris
Посетив Вену, Венецию, Флоренцию, Рим и Неаполь, осел на год в Париже (мастерская на Rue Véron). К концу поездки начал признавать импрессионистов, выделяя Мане; под его влиянием написано «Парижское кафе».
April 1874
Paris: the first Impressionist exhibition
Repin was in Paris in April 1874, when the First Impressionist Exhibition was held. In a letter to Stasov in 1875 he wrote of the “liberty of the impressionalists” — Manet, Monet and the others — and their “infantile truthfulness”: he admired their treatment of light and colour but felt their work lacked moral or social purpose.
1876
Zvaniye akademika za «Sadko»
Написанный в Париже «Садко» принёс звание академика — и ядовитые рецензии: «Ах, смотрите, maman, человек в аквариуме!»
29. marts 1877
Son born: Yuri Repin
1877–1882
Savva Mamontov’s circle at Abramtsevo
In Moscow Repin frequented the art circle of Savva Mamontov at his estate Abramtsevo near Moscow, where he met many of the leading painters of the day — Vasily Polenov, Valentin Serov, Mikhail Vrubel.
February 1878
Prinyat v Tovarishchestvo peredvizhnikov
Ради Репина пренебрегли правилами «экспонентского стажа». Крамской: «Знаете ли вы, какое хорошее слово вы написали: „Я ваш“».
