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  1. Samling/
  2. Museum of Modern Art/
  3. Rythmes-Couleurs
Rythmes-Couleurs, Sonia Delaunay, 1966
Sonia Delaunay, portrætSonia DelaunayRusland, 1885–1979

Rythmes-Couleurs

1966 · Illustrated Book

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Museum of Modern Art

New York City, USA

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Kontrolleret
for 9 dage siden
Kilde
Museet
På kortetMuseets side

Oplysninger

1966 · 81 år gammel
18851979
Inventarnummer
287.1991.1-11

I kataloget

GrafikEfterkrigskunst1900-tallet

Kilder

  • Museum of Modern Art
  • Billede: Museum of Modern Art — © the artist or rights holder

Imens i livet hos Sonia Delaunay

Hele livet
  1. 1964

    First living woman artist with a Louvre retrospective

    Sonia Delaunay became the first living female artist to have a retrospective exhibition at the Louvre; Alberto Magnelli told her that she and Braque were the only living painters to have been shown there.

  2. 1964

    A gift to the Musée National d'Art Moderne

    Sonia and her son Charles donated 114 works by Sonia and Robert Delaunay to the Musée National d'Art Moderne.

  3. 1965

    A cubist-style deck of playing cards

    A deck of playing cards with cubist-style designs was published in Germany from Sonia Delaunay's sketches (Bielefelder Spielkartenfabrik).

  4. 1966

    Publishes “Rythmes-Couleurs”

    Sonia published “Rythmes-Couleurs” (Colour-Rhythms), with 11 of her gouaches reproduced as pochoirs and texts by Jacques Damase.

  5. 25 February – 5 April 1967

    Decorates a Matra 530 for an exhibition of artists' cars

    For the exhibition “Five Cars Personalised by Five Contemporary Artists”, organised by the journal Réalités to raise funds for French medical research, Sonia decorated a Matra 530 whose pattern optically recomposed into a light blue shade in motion, so as not to distract other drivers.

Mere af Sonia Delaunay

Alle værker
Portuguese Market, Sonia Delaunay, 1915

Portuguese Market

1915 · Museum of Modern Art

Simultaneous Patterns for Cloth, Sonia Delaunay, 1920s(?)

Simultaneous Patterns for Cloth

1920s(?) · Ikke udstillet · National Gallery of Art

Untitled Abstraction, Sonia Delaunay

Untitled Abstraction

Ikke udstillet · National Gallery of Art

Untitled, Sonia Delaunay

Untitled

Ikke udstillet · National Gallery of Art

La Prose du Transsibérien et de la Petite Jehanne de France (Prose of the Trans-Siberian and of Little Joan of France), Sonia Delaunay, 1913

La Prose du Transsibérien et de la Petite Jehanne de France (Prose of the Trans-Siberian and of Little Joan of France)

1913 · Ikke udstillet · Museum of Modern Art

Announcement for La Prose du Transsibérien et de la Petite Jehanne de France, Sonia Delaunay, 1913

Announcement for La Prose du Transsibérien et de la Petite Jehanne de France

1913 · Ikke udstillet · Museum of Modern Art

Solar Prism, Sonia Delaunay-Terk, 1914

Solar Prism

1914 · Ikke udstillet · National Gallery of Art

Robe Poeme No. 688, Sonia Delaunay, 1922

Robe Poeme No. 688

1922 · Ikke udstillet · Museum of Modern Art

Naboer på Museum of Modern Art

Museets side
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

Stjernenatten, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950