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  1. Samling/
  2. Minneapolis Institute of Art/
  3. Prey (Owl)
Prey (Owl), Kobayashi Senpo, 1970s–80s
KKobayashi SenpoJapan

Prey (Owl)

1970s–80s · Sculpture

Må man se det?

Ja, det tager imod

Minneapolis Institute of Art

Minneapolis, USA

SalG219

Udstillet for publikum. Hvem der står inde for det, står nedenfor.

Kontrolleret
for 3 dage siden
Uændret siden
25. sep. 2026
Kilde
Museet
På kortetMuseets side

Om skulpturen

At age 16, Kobayashi Senpo contracted a middle-ear disease, which rendered him deaf. After World War II, his father began to carve netsuke (small carved toggles used to attach objects to a kimono sash), and Senpo learned from him. Senpo eventually found his own style and focused on nature subjects. He became especially known for his cicadas.

Minneapolis Institute of Art

Oplysninger

Inventarnummer
2024.101.14

Mere af Kobayashi Senpo

Alle værker

I samme sal · G219, Minneapolis Institute of Art

Museets side

I kataloget

SkulpturElfenbenEfterkrigskunst1900-talletJapan

Kilder

  • Minneapolis Institute of Art
  • Billede: Minneapolis Institute of Art — © Minneapolis Institute of Art
Giving Birth (Large Brown Cicada), Kobayashi Senpo, 1979

Giving Birth (Large Brown Cicada)

1979 · Minneapolis Institute of Art

Plovers, Rocks, and Waves, Suzuki Kiitsu, first half 19th century

Suzuki Kiitsu

Plovers, Rocks, and Waves, first half 19th century

Under the Holy Mountain, Saitō Bishū, 1988

Saitō Bishū

Under the Holy Mountain, 1988

Giving Birth (Large Brown Cicada), Kobayashi Senpo, 1979

Kobayashi Senpo

Giving Birth (Large Brown Cicada), 1979

Dutchman, one of the Southern Barbarians, Saitō Bishū, 1979

Saitō Bishū

Dutchman, one of the Southern Barbarians, 1979

Swan, Saitō Bishū, 1973

Saitō Bishū

Swan, 1973

Centaur, Saitō Bishū, 1970s–80s

Saitō Bishū

Centaur, 1970s–80s

Three Swans, Saitō Bishū, 1970s–80s

Saitō Bishū

Three Swans, 1970s–80s

Up in a Tree, Saitō Bishū, 1970s–80s

Saitō Bishū

Up in a Tree, 1970s–80s