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  2. Minneapolis Institute of Art/
  3. Plovers, Rocks, and Waves
Plovers, Rocks, and Waves, Suzuki Kiitsu, first half 19th century

Plovers, Rocks, and Waves

first half 19th century · Painting

Om maleriet

The motif of plovers (chidori), flying in a long row over the waves, or looking for food where the sea leaves a line of foam on the sand, has often inspired Japanese artists. This bird is an auspicious symbol associated with longevity because its cry, “chiyo, ” is a homonym for “one thousand generations.” The association of chidori with long life goes back as far as the early 10th century, appearing in the poetry anthology Kokinwakashū, and became a popular motif in various media such as ceramics, textiles, lacquer, and metalwork.

Minneapolis Institute of Art

Oplysninger

Inventarnummer
2013.30.4

Mere af Suzuki Kiitsu

Alle værker

I samme sal · G219, Minneapolis Institute of Art

Museets side
SSuzuki KiitsuJapan, 1796–1858

Må man se det?

Ja, det tager imod

Minneapolis Institute of Art

Minneapolis, USA

SalG219

Udstillet for publikum. Hvem der står inde for det, står nedenfor.

Kontrolleret
for 3 dage siden
Uændret siden
25. sep. 2026
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På kortetMuseets side

I kataloget

MalerierTuschJapansk maleriRinpaJapan

Kilder

  • Minneapolis Institute of Art
  • Billede: Minneapolis Institute of Art — public domain
Mount Fuji and the Pines at Miho, Suzuki Kiitsu, ca. 1845-1858

Mount Fuji and the Pines at Miho

ca. 1845-1858 · Minneapolis Institute of Art

Fish Trap, Waves, Rocks [one of a pair], Suzuki Kiitsu, first half 19th century

Fish Trap, Waves, Rocks [one of a pair]

first half 19th century · Ikke udstillet · Minneapolis Institute of Art

Mountains [center from the triptych Three Evening Scenes], Suzuki Kiitsu, first half 19th century

Mountains [center from the triptych Three Evening Scenes]

first half 19th century · Ikke udstillet · Minneapolis Institute of Art

Shō-Kannon, Suzuki Kiitsu, first half 19th century

Shō-Kannon

first half 19th century · Ikke udstillet · Minneapolis Institute of Art

Fish Trap, Waves, Rocks [one of a pair], Suzuki Kiitsu, first half 19th century

Fish Trap, Waves, Rocks [one of a pair]

first half 19th century · Ikke udstillet · Minneapolis Institute of Art

Deer, Crane and Bat, Suzuki Kiitsu, 19th century

Deer, Crane and Bat

19th century · Ikke udstillet · Minneapolis Institute of Art

Courtesan Takao with Bush Clover and Moon, Suzuki Kiitsu, first half 19th century

Courtesan Takao with Bush Clover and Moon

first half 19th century · Ikke udstillet · Minneapolis Institute of Art

Hollyhock and Lilies, Suzuki Kiitsu, first half 19th century

Hollyhock and Lilies

first half 19th century · Ikke udstillet · Minneapolis Institute of Art

Under the Holy Mountain, Saitō Bishū, 1988

Saitō Bishū

Under the Holy Mountain, 1988

Giving Birth (Large Brown Cicada), Kobayashi Senpo, 1979

Kobayashi Senpo

Giving Birth (Large Brown Cicada), 1979

Dutchman, one of the Southern Barbarians, Saitō Bishū, 1979

Saitō Bishū

Dutchman, one of the Southern Barbarians, 1979

Swan, Saitō Bishū, 1973

Saitō Bishū

Swan, 1973

Centaur, Saitō Bishū, 1970s–80s

Saitō Bishū

Centaur, 1970s–80s

Three Swans, Saitō Bishū, 1970s–80s

Saitō Bishū

Three Swans, 1970s–80s

Up in a Tree, Saitō Bishū, 1970s–80s

Saitō Bishū

Up in a Tree, 1970s–80s

Dragon and Tiger in Tempest [right of a pair], Saeki Ganku, early 19th century

Saeki Ganku

Dragon and Tiger in Tempest [right of a pair], early 19th century