Félix NadarFrankrig, 1820–1910Portret van jonge man
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Hvor er »Portret van jonge man« i dag? Samling: Rijksmuseum Amsterdam, Amsterdam. Ukendt.
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Portret van staande jonge man. Waarschijnlijk een lid van de familie Swellengrebel.
Rijksmuseum Amsterdam
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- NG-2023-92-2-20
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- Billede: Rijksmuseum Amsterdam — public domain
Imens i livet hos Félix Nadar
Hele livet1858
The world’s first aerial photographs
He became the first person to take aerial photographs, using the wet-plate collodion process: the plates had to be prepared and developed in the basket while aloft, and escaping gas ruined the images until Nadar invented a gas-proof cotton cover for his baskets. He also pioneered the use of artificial light in photography, working underground in the catacombs of Paris.
1860
A studio at 35 Boulevard des Capucines
In 1860 Nadar moved to 35 Boulevard des Capucines, where he photographed politicians (Guizot, Proudhon), stage actors (Sarah Bernhardt, Paulus), writers (Hugo, Baudelaire, Sand, Nerval, Gautier, Dumas), painters (Corot, Delacroix, Millet) and musicians (Liszt, Rossini, Offenbach, Verdi, Berlioz). In the studio he eschewed traditional sumptuous decors and unnecessary accessories and preferred natural daylight.
1863
Commissions the enormous balloon “Le Géant”
He commissioned the prominent balloonist Eugène Godard to build an enormous balloon, 60 metres high with a capacity of 6,000 cubic metres, named “Le Géant” (The Giant); it inspired Jules Verne’s “Five Weeks in a Balloon”.
1863
The crash of “Le Géant” near Hanover
During a flight in October 1863 a strong wind carried the balloon off towards Germany, and near Hanover “Le Géant” crashed, injuring Nadar and his wife Ernestine.
1870–1871
The airmail of besieged Paris
During the Siege of Paris in 1870–71 Nadar was instrumental in organising balloon flights carrying mail to reconnect the besieged Parisians with the rest of the world, thus establishing the world’s first airmail service.
1874
The first Impressionist exhibition in his studio
In April 1874 he lent his photo studio to a group of painters to present the first exhibition of the Impressionists.
