Sakai Hōitsu 酒井抱一Japan, 1761–1828Peonies in the Wind
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Minneapolis Institute of Art
Minneapolis, USA
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Two peonies in full bloom sway as a gust of wind pushes them forward—rain is coming. Every year, Japan has a rainy season from June to July called tsuyu, or “plum rain, ” so named because the timing matches the ripening of plums. Although commonly depicted in Japanese paintings as a subject, peonies were not native to Japan but originated in China. Peonies exploded in popularity among gardeners in the late 1600s, ahead of the morning glory boom in the 1800s—reflected in the nearby painting of morning glories by Watanabe Nangaku.
Artist Sakai Hōitsu shifted his creative approach after discovering the work of painter Ogata Kōrin’s. Sakai’s later works incorporate Ogata’s signature techniques such as tarashikomi—the application of a second layer of paint before the first is dry, resulting in a watery effect—seen here on the leaves.
Minneapolis Institute of Art
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- 2013.31.22
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- Minneapolis Institute of Art
- Billede: Minneapolis Institute of Art — public domain
