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  1. Samling/
  2. Smithsonian American Art Museum/
  3. O'n-daig, The Crow, a Dandy
O'n-daig, The Crow, a Dandy, George Catlin, 1836
George Catlin, portrætGeorge CatlinUSA, 1796–1872

O'n-daig, The Crow, a Dandy

1836 · Painting · 73.7 × 60.9 cm

Må man se det?

Ukendt: museet holder tæt

Smithsonian American Art Museum

Washington, D.C., USA

Ejeren er kendt. Om det er udstillet i dag, siger museet ikke, og at gætte har vi ikke lært.

Uændret siden
25. sep. 2026
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Museets egne samlingsdata
På kortetMuseets side

Om maleriet

George Catlin described The Crow as “a young man of distinction, in an extravagant and beautiful costume.” The artist painted this portrait from life at Sault Ste. Marie, in present-day Wisconsin, in 1836. (Truettner, The Natural Man Observed, 1979)

Smithsonian American Art Museum

Oplysninger

1836 · 40 år gammel
17961872
Inventarnummer
1985.66.193

Hvad det viser

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I kataloget

MalerierOlieAmerikansk maleriRomantikken1800-tallet

Kilder

  • Smithsonian American Art Museum: museets åbne data · hentet for 8 dage siden
  • Billede: Smithsonian American Art Museum — CC0

Imens i livet hos George Catlin

Hele livet
  1. 1830–1836

    Five journeys into the American West

    St. Louis was his base for the five trips and the steamer Yellowstone of the American Fur Company his first transport; he visited 48 tribes in all (other accounts say about fifty). On trips along the Arkansas, Red and Mississippi rivers, in Florida and around the Great Lakes he painted more than 500 pictures and gathered a substantial collection of artifacts.

  2. spring 1834

    Fort Gibson: portraits of Cherokee, Choctaw, Osage

    Leaving New Orleans for Fort Gibson in Indian Territory, he paints portraits of Cherokee, Choctaw, Muscogee, Osage and other Native Americans.

  3. 19 June 1834

    With the dragoons onto the Southern Plains

    He sets out onto the Southern Plains with a dragoon detachment led by Henry Leavenworth and Henry Dodge, and visits Comanche and Wichita lands.

  4. 1836

    First exhibition: about 500 works

    Catlin’s first exhibition takes place in the United States, with about 500 works, but it makes little public stir.

  5. 1838

    The Indian Gallery and public lectures

    Back in the East, he gathers his paintings and Native artifacts into his own Indian Gallery and begins giving lectures on life among the Indians, touring Pittsburgh, Cincinnati and New York with the show. The paintings hang salon-style, in rows one above another, and visitors identify them by catalogue numbers.

  6. May 1838

    Congress declines to buy the Indian Gallery

    The U.S. Congress rebuffs his offer to sell the collection: Catlin wanted his life’s work kept intact, but his later efforts to persuade officials in Washington failed as well.

Mere af George Catlin

Alle værker
Distant View of the Mandan Village, George Catlin, 1832

Distant View of the Mandan Village

1832 · Smithsonian American Art Museum

Mouth of the Platte River, 900 Miles above St. Louis, George Catlin, 1832

Mouth of the Platte River, 900 Miles above St. Louis

1832 · Smithsonian American Art Museum

Seet-sé-be-a, Midday Sun, a Pretty Girl, George Catlin, 1832

Seet-sé-be-a, Midday Sun, a Pretty Girl

1832 · Smithsonian American Art Museum

Jee-hé-o-hó-shah, Cannot Be Thrown Down, a Warrior, George Catlin, 1832

Jee-hé-o-hó-shah, Cannot Be Thrown Down, a Warrior

1832 · Smithsonian American Art Museum

Te-ah'-ke-ra-lée-re-coo, The Cheyenne, a Republican Pawnee, George Catlin, 1832

Te-ah'-ke-ra-lée-re-coo, The Cheyenne, a Republican Pawnee

1832 · Smithsonian American Art Museum

River Bluffs, 1320 Miles above St. Louis, George Catlin, 1832

River Bluffs, 1320 Miles above St. Louis

1832 · Smithsonian American Art Museum

Peh-tó-pe-kiss, Eagle's Ribs, a Piegan Chief, George Catlin, 1832

Peh-tó-pe-kiss, Eagle's Ribs, a Piegan Chief

1832 · Smithsonian American Art Museum

I-o-wáy, One of Black Hawk's Principal Warriors, George Catlin, 1832

I-o-wáy, One of Black Hawk's Principal Warriors

1832 · Smithsonian American Art Museum

Naboer på Smithsonian American Art Museum

Museets side
Muskrat, Unidentified, before 1997

Unidentified

Muskrat, before 1997

Bright Light at Russell's Corners, George Ault, 1946

George Ault

Bright Light at Russell's Corners, 1946

Fish Decoy, Unidentified, ca. 1940

Unidentified

Fish Decoy, ca. 1940

(Lobster on Black Background), Marsden Hartley, 1940-1941

Marsden Hartley

(Lobster on Black Background), 1940-1941

May Snow, Torvald Arnst Hoyer, 1937

Torvalt Arnt Hoyer

May Snow, 1937

San Diego Mission, Josephine Joy, ca. 1935-1939

Josephine Joy

San Diego Mission, ca. 1935-1939

Industry, Arthur Durston, 1934

Arthur Durston

Industry, 1934

Employment of Negroes in Agriculture, Earle Richardson, 1934

Earle Richardson

Employment of Negroes in Agriculture, 1934