Jee-hé-o-hó-shah, Cannot Be Thrown Down, a Warrior, George Catlin, 1832
George Catlin, portrætGeorge CatlinUSA, 1796–1872

Jee-hé-o-hó-shah, Cannot Be Thrown Down, a Warrior

1832 · Painting · 73.7 × 60.9 cm

Må man se det?

Ja, det tager imod

Smithsonian American Art Museum

Washington, D.C., USA

SalLuce Foundation Center, 3rd Floor, 3A

Udstillet for publikum.

Kontrolleret
Uændret siden
Kilde
Museet

Om maleriet

“Amongst those tribes who thus shave and ornament their heads, the crest is uniformly blood-red; and the upper part of the head, and generally a considerable part of the face, as red as they can possibly make it with vermilion. I found these people cutting off the hair with small scissors, which they purchase of the Fur Traders; and they told me that previous to getting scissors, they cut it away with their knives; and before they got knives, they were in the habit of burning it off with red-hot stones, which was a very slow and painful operation.” (Catlin, Letters and Notes, vol. 2, no. 34, 1841; reprint 1973)

Smithsonian American Art Museum

Oplysninger

Inventarnummer
1985.66.23

Hvad det viser

I kataloget

Kilder

Imens i livet hos George Catlin

Hele livet
  1. 1830

    First journey west with Governor Clark

    He accompanies William Clark, governor of the Missouri Territory, on a diplomatic mission to Fort Crawford and then up the Mississippi into Native territory.

  2. 1830–1836

    Five journeys into the American West

    St. Louis was his base for the five trips and the steamer Yellowstone of the American Fur Company his first transport; he visited 48 tribes in all (other accounts say about fifty). On trips along the Arkansas, Red and Mississippi rivers, in Florida and around the Great Lakes he painted more than 500 pictures and gathered a substantial collection of artifacts.

  3. 1832

    Up the Missouri to Fort Union

    He ascends the Missouri more than 3,000 km to the Fort Union trading post (today on the North Dakota–Montana border) and spends several weeks among peoples little touched by European culture. Visiting eighteen tribes, among them the Pawnee, Omaha, Ponca, Mandan, Hidatsa, Cheyenne, Crow, Assiniboine and Blackfeet, he paints the most vivid portraits of his career.

  4. 1833

    Prince Maximilian’s expedition sees his work

    At Major O’Fallon’s country estate near St. Louis, members of Prince Maximilian of Wied-Neuwied’s scientific and ethnographic expedition look over the works from Catlin’s first Missouri expedition, among them the Swiss artist Karl Bodmer, who later painted many Native American portraits and scenes of his own.

  5. spring 1834

    Fort Gibson: portraits of Cherokee, Choctaw, Osage

    Leaving New Orleans for Fort Gibson in Indian Territory, he paints portraits of Cherokee, Choctaw, Muscogee, Osage and other Native Americans.

  6. 19 June 1834

    With the dragoons onto the Southern Plains

    He sets out onto the Southern Plains with a dragoon detachment led by Henry Leavenworth and Henry Dodge, and visits Comanche and Wichita lands.

Alle værker

I samme sal · Luce Foundation Center, 3rd Floor, 3A, Smithsonian American Art Museum

Museets side

Om samme emne · Mand

Alle værker om emnet