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  1. Samling/
  2. Museum of Modern Art/
  3. Les Alyscamps, Arles
Les Alyscamps, Arles, Paul Signac, 1904
Paul Signac, portrætPaul SignacFrankrig, 1863–1935

Les Alyscamps, Arles

1904 · Drawing

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Museum of Modern Art

New York City, USA

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Kilde
Museet
På kortetMuseets side

Oplysninger

1904 · 41 år gammel
18631935
Inventarnummer
24.1951

I kataloget

Tegninger & akvarellerAkvarelImpressionismeModernisme1900-tallet

Kilder

  • Museum of Modern Art
  • Billede: Museum of Modern Art — © the artist or rights holder

Imens i livet hos Paul Signac

Hele livet
  1. 1895–1912

    Gifts for five lotteries and support for the arts

    Having prospered, Signac supports the arts generously: he sends regular cheques and between 1895 and 1912 gives works of his own for five lotteries.

  2. summer 1904

    Matisse in Saint-Tropez beside Signac and Cross

    In the summer of 1904 Henri Matisse works in Saint-Tropez alongside the neo-Impressionists Henri-Edmond Cross and Paul Signac; the result is “Luxe, calme et volupté,” his most important work in the Divisionist technique. Signac inspires Matisse and André Derain, playing a decisive role in the evolution of Fauvism, although he himself did not admire the style when it first appeared.

  3. 1905

    Buying Matisse's “Luxe, calme et volupté”

    After the 1905 Salon des Indépendants, where Matisse exhibited “Luxe, calme et volupté,” Signac buys the painting — the first patron to buy a work by Matisse.

Mere af Paul Signac

Alle værker
Snow, Boulevard de Clichy, Paris, Paul Signac, 1886

Snow, Boulevard de Clichy, Paris

1886 · Minneapolis Institute of Art

The Town Beach, Collioure, Opus 165 (Collioure. La Plage de la ville. Opus 165), Paul Signac, 1887

The Town Beach, Collioure, Opus 165 (Collioure. La Plage de la ville. Opus 165)

1887 · Metropolitan Museum of Art

The Jetty at Cassis, Opus 198, Paul Signac, 1889

The Jetty at Cassis, Opus 198

1889 · Metropolitan Museum of Art

Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, Portrait of M. Félix Fénéon in 1890, Paul Signac, 1890

Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, Portrait of M. Félix Fénéon in 1890

1890 · Museum of Modern Art

Notre-Dame de la Garde (La Bonne Mère), Marseille, Paul Signac, 1905–6

Notre-Dame de la Garde (La Bonne Mère), Marseille

1905–6 · Metropolitan Museum of Art

Port de Marseilles, Paul Signac, 1907

Port de Marseilles

1907 · Eremitagen

Blessing of the Tuna Fleet at Groix, Paul Signac, 1923

Blessing of the Tuna Fleet at Groix

1923 · Minneapolis Institute of Art

Les Andelys, Côte d'Aval, Paul Signac, 1886

Les Andelys, Côte d'Aval

1886 · Art Institute of Chicago

Naboer på Museum of Modern Art

Museets side
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

Stjernenatten, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950