Leaving a mark that destroys

2020 · Print

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Museum of Modern Art

New York City, USA

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Alle værker

Masturbate I

2020 · Ikke udstillet · Museum of Modern Art

Hate 3

2020 · Ikke udstillet · Museum of Modern Art

Black Face White Mask Martini Yellow

2020 · Ikke udstillet · Museum of Modern Art

A little space for you (Central Park)

2024 · Ikke udstillet · Whitney Museum of American Art

A little space for you (I was going to write you)

2024 · Ikke udstillet · Whitney Museum of American Art

A little space for you (Peace)

2024 · Ikke udstillet · Whitney Museum of American Art

Naboer på Museum of Modern Art

Museets side

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

Vincent van Gogh

Stjernenatten, Saint Rémy, June 1889

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

Pablo Picasso

Leaving a mark that destroys

Tager ikke imod for tiden

Oplysninger

I kataloget

Kilder

Masturbate I

Hate 3

Black Face White Mask Martini Yellow

A little space for you (Central Park)

A little space for you (I was going to write you)

A little space for you (Peace)

Naboer på Museum of Modern Art

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Saint Rémy, June-July 1889

Stjernenatten, Saint Rémy, June 1889

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950

Leaving a mark that destroys

Tager ikke imod for tiden

Oplysninger

I kataloget

Kilder

Masturbate I

Hate 3

Black Face White Mask Martini Yellow

A little space for you (Central Park)

A little space for you (I was going to write you)

A little space for you (Peace)

Naboer på Museum of Modern Art

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Saint Rémy, June-July 1889

Stjernenatten, Saint Rémy, June 1889

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950

Leaving a mark that destroys

Tager ikke imod for tiden

Oplysninger

I kataloget

Kilder

Mere af Raque Ford

Masturbate I

Hate 3

Black Face White Mask Martini Yellow

A little space for you (Central Park)

A little space for you (I was going to write you)

A little space for you (Peace)

Naboer på Museum of Modern Art

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Saint Rémy, June-July 1889

Stjernenatten, Saint Rémy, June 1889

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950

Leaving a mark that destroys

Tager ikke imod for tiden

Oplysninger

I kataloget

Kilder

Mere af Raque Ford

Masturbate I

Hate 3

Black Face White Mask Martini Yellow

A little space for you (Central Park)

A little space for you (I was going to write you)

A little space for you (Peace)

Naboer på Museum of Modern Art

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Saint Rémy, June-July 1889

Stjernenatten, Saint Rémy, June 1889

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950