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ForsideKortKatalog
  1. Samling/
  2. Musée de Pont-Aven/
  3. Le Retour du Pardon
Le Retour du Pardon, Émile Bernard, 1889
Bernard, Emile, portrætBernard, EmileFrankrig, 1868–1941

Le Retour du Pardon

1889 · Print · 34.6 × 28 cm

Må man se det?

Ukendt

MP
Musée de Pont-Aven

Pont-Aven, Frankrig

Ejeren er kendt; om værket er udstillet i dag, vides ikke.

Uændret siden
5. okt. 2026
Kilde
Museet
På kortetMuseets side

Oplysninger

1889 · 21 år gammel
18681941
Inventarnummer
2002.3.2

Imens i livet hos Bernard, Emile

Hele livet
  1. 1887

    Cloisonnism, developed together with Anquetin

    In 1887 Bernard and Louis Anquetin develop cloisonnism — bold forms separated by dark contours; in the spring they “turn against Neo-Impressionism”. Many, however, credit Anquetin with the technique, and Bernard was probably also influenced by the works of Cézanne he had seen.

  2. 1887–1888

    An exhibition in the restaurant on the Avenue de Clichy

    Back in Paris, Bernard attends the Académie Julian and meets van Gogh, who is impressed by his work. He finds a restaurant on the Avenue de Clichy where his work is shown alongside that of van Gogh, Anquetin and Toulouse-Lautrec; van Gogh calls the group the “School of the Petit Boulevard”.

  3. 1888

    On foot to Pont-Aven: friendship with Gauguin

    A year later Bernard again sets out for Pont-Aven on foot and sees Gauguin; their friendship and artistic partnership quickly grow strong. Bernard wants an art of the most extreme simplicity, accessible to all and practised collectively, and Gauguin is impressed by his ability to put his ideas into words. Other accounts have him living in Pont-Aven in 1886–1888 and joining the Pont-Aven group.

  4. 1890

    A religious crisis and a turn to the Middle Ages

    In 1890 Bernard goes through a religious crisis and turns to the subjects and themes of medieval art. In the same year he sets out to revive symbolism, which he saw as Christian in essence — the invisible expressed through the visible.

  5. 1891

Mere af Bernard, Emile

Alle værker

Fra samlingen: Musée de Pont-Aven

Museets side

The break with Gauguin

In 1891 Bernard breaks off his friendship with Gauguin. It was always his great frustration that Gauguin never named him as an influence on pictorial symbolism; one writer says his rivalry with Gauguin led him “out of spite” towards classicism.

  • 1891

    Among the Symbolists and the Nabis

    In 1891 Bernard joins the group of Symbolist painters that includes Odilon Redon and Ferdinand Hodler, and in the same year becomes a member of the Nabis.

  • Hvad det viser

    Scène,être humain (femme, breton),habillement (chapeau, coiffe, costume)

    I kataloget

    GrafikImpressionisme1800-talletFrankrigPont-Aven

    Kilder

    • Musée de Pont-Aven
    • Billede: Musée de Pont-Aven — Laurent Bruneau - Procolor-29qle; Ministère de la Culture (France), base Joconde
    Still Life (Cup, Compote Dish, Teapot, and Fruit) 1890, Émile Bernard

    Still Life (Cup, Compote Dish, Teapot, and Fruit) 1890

    Van Gogh-museet

    Le Repos du berger, Émile Bernard, 1900s

    Le Repos du berger

    1900s · Musée d'Orsay

    Les remparts, Emile Bernard, 4e quart 19e siècle, 1ère moitié 20e siècle

    Les remparts

    4e quart 19e siècle, 1ère moitié 20e siècle · Musée des Beaux-Arts de Brest

    Maisons flamandes, Emile Bernard, 4e quart 19e siècle, 1ère moitié 20e siècle

    Maisons flamandes

    4e quart 19e siècle, 1ère moitié 20e siècle · Musée des Beaux-Arts de Brest

    Personnages sur fond d'église, Emile Bernard, 4e quart 19e siècle, 1ère moitié 20e siècle

    Personnages sur fond d'église

    4e quart 19e siècle, 1ère moitié 20e siècle · Musée des Beaux-Arts de Brest

    Breton Woman (Les Bretonnes), Émile Bernard, (1883)

    Breton Woman (Les Bretonnes)

    (1883) · Ikke udstillet · Museum of Modern Art

    Fisherman and Boat, Émile Bernard, 1885

    Fisherman and Boat

    1885 · Van Gogh-museet

    Bretonne walking near a canal, Émile Bernard, 1886

    Bretonne walking near a canal

    1886 · Van Gogh-museet

    Baigneuses à Port-Blanc, Maurice Denis, 1925

    Denis, Maurice

    Baigneuses à Port-Blanc, 1925

    Portrait de femme en buste au collier de perles ou Portrait de Rina, Émile Bernard, 1936

    Bernard, Emile

    Portrait de femme en buste au collier de perles ou Portrait de Rina, 1936

    Portrait de Léo Gausson, Émile Bernard, 1935

    Bernard, Emile

    Portrait de Léo Gausson, 1935

    Fragment de "Procession à Villerville", Émile Bernard, 1910 vers

    Bernard, Emile

    Fragment de "Procession à Villerville", 1910 vers

    La Vie, les trois âges, Émile Bernard, 1910

    Bernard, Emile

    La Vie, les trois âges, 1910

    Autoportrait, Émile Bernard, 1897

    Bernard, Emile

    Autoportrait, 1897

    Portrait du peintre Eric Forbes-Robertson, Émile Bernard, 1892

    Bernard, Emile

    Portrait du peintre Eric Forbes-Robertson, 1892

    Étude pour "Le Blé noir", Émile Bernard, 1888

    Bernard, Emile

    Étude pour "Le Blé noir", 1888