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  1. Samling/
  2. Museum of Modern Art/
  3. Hey with Curled Edge
Hey with Curled Edge, Edward Ruscha, 1964
Edward Ruscha, portrætEdward RuschaUSA, 1937

Hey with Curled Edge

1964 · Drawing

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Museum of Modern Art

New York City, USA

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for 9 dage siden
Kilde
Museet
På kortetMuseets side

Oplysninger

1964 · 27 år gammel
1937nu
Inventarnummer
395.1999

I kataloget

Tegninger & akvarellerTuschEfterkrigskunst1900-tallet

Kilder

  • Museum of Modern Art
  • Billede: Museum of Modern Art — © the artist or rights holder

Imens i livet hos Edward Ruscha

Hele livet
  1. 1962

    “New Painting of Common Objects” in Pasadena

    Ruscha takes part, with Roy Lichtenstein, Andy Warhol, Robert Dowd, Phillip Hefferton, Joe Goode, Jim Dine and Wayne Thiebaud, in “New Painting of Common Objects” at the Pasadena Art Museum, curated by Walter Hopps. It is regarded as one of the first Pop Art exhibitions in America.

  2. 1963

    “Twentysix Gasoline Stations” is published

    The first of sixteen small artist's books produced between 1962 and 1978; the photographic books present precisely what their titles describe.

  3. 1963

    First solo exhibition at Ferus Gallery

    His first solo exhibition takes place at the Ferus Gallery in Los Angeles, around which a group of artists has gathered, among them Robert Irwin, John Altoon, John McCracken, Larry Bell, Ken Price and Edward Kienholz.

  4. 1965–1969

    Layout designer at Artforum as “Eddie Russia”

    After college he worked as a layout artist for the Carson-Roberts advertising agency in Los Angeles, and from 1965 to 1969 as layout designer for Artforum magazine under the pseudonym “Eddie Russia”; in 1969 he was a visiting professor of printing and drawing at UCLA.

  5. 1966

    “Every Building on the Sunset Strip” is published

    A book of continuous photographs of a two-and-a-half-mile stretch of the 24-mile Sunset Boulevard.

  6. 1966

    “Los Angeles Now” in London — his first European exhibition

    Ruscha is included in “Los Angeles Now” at the Robert Fraser Gallery in London, his first European exhibition.

Mere af Edward Ruscha

Alle værker
Large Trademark with Eight Spotlights, Edward Ruscha, 1962

Large Trademark with Eight Spotlights

1962 · Whitney Museum of American Art

Vicksburg, Edward Ruscha, 1960

Vicksburg

1960 · Ikke udstillet · Museum of Modern Art

Dorothy Ruscha, Edward Ruscha, 1960

Dorothy Ruscha

1960 · Ikke udstillet · Museum of Modern Art

Zone, Edward Ruscha, 1961

Zone

1961 · Ikke udstillet · Museum of Modern Art

Study for “OOF", Ed Ruscha, 1962

Study for “OOF"

1962 · Ikke udstillet · National Gallery of Art

3327 Division ('39 Ford), Ed Ruscha, 1962

3327 Division ('39 Ford)

1962 · Ikke udstillet · National Gallery of Art

New Painting of Common Objects, Edward Ruscha, 1962

New Painting of Common Objects

1962 · Ikke udstillet · Museum of Modern Art

Gas, Edward Ruscha, 1962

Gas

1962 · Ikke udstillet · Museum of Modern Art

Naboer på Museum of Modern Art

Museets side
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

Stjernenatten, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950