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  3. Cutting from an Antiphonary: Initial G[loria tibi Trinitas]: The Trinity
Cutting from an Antiphonary:  Initial G[loria tibi Trinitas]: The Trinity, c. 1410

Cutting from an Antiphonary: Initial G[loria tibi Trinitas]: The Trinity

c. 1410 · Manuscript

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The Cleveland Museum of Art

Cleveland, USA

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19. aug. 2026
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På kortetMuseets side

Om maleriet

This beautiful initial comes from a choral book called an antiphonary. The text introduced by this initial is the antiphon that follows the reading of the nine psalms in the office of prime: Gloria tibi Trinitas... (Glory be to the Trinity). By the later Middle Ages, artists were representing the Trinity (Father, Son, and Holy Ghost) in the form shown here.

The Cleveland Museum of Art

Oplysninger

Inventarnummer
1949.537

I kataloget

MalerierTuschRenæssancen1400-talletBohemia, Prague, early 15th Century

Kilder

  • The Cleveland Museum of Art
  • Billede: The Cleveland Museum of Art — Museum open access

Naboer på The Cleveland Museum of Art

Museets side
The Red Kerchief, Claude Monet, c. 1868–73

Claude Monet

The Red Kerchief, c. 1868–73

Melencolia I, Albrecht Dürer, 1514

Albrecht Dürer

Melencolia I, 1514

The Virgin and Child with the Pear, Albrecht Dürer, 1511

Albrecht Dürer

The Virgin and Child with the Pear, 1511

The Nativity, Albrecht Dürer, probably c. 1509/1510

Albrecht Dürer

The Nativity, probably c. 1509/1510

The Virgin and Child on a Crescent with a Starry Crown, Albrecht Dürer, 1508

Albrecht Dürer

The Virgin and Child on a Crescent with a Starry Crown, 1508

The Lamentation, Albrecht Dürer, 1507

Albrecht Dürer

The Lamentation, 1507

Large Horse, Albrecht Dürer, 1505

Albrecht Dürer

Large Horse, 1505

Nemesis (The Great Fortune), Albrecht Dürer, c. 1501/1502

Albrecht Dürer

Nemesis (The Great Fortune), c. 1501/1502