ART WIKI33.040 udstillet
KortSamlingKunstnereMuseerUdstillingerJournal
Log ind

ART WIKI

Hvor mesterværket hænger, og hvornår man bliver lukket ind.

Samlinger: Art Institute of Chicago, Det Russiske Museum, Eremitagen, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pusjkinmuseet, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Statens Museum for Kunst, The Cleveland Museum of Art, Tretjakovgalleriet, Victoria and Albert Museum, Whitney Museum of American Art, Ruslands statskatalog over museumsfonden (274 museer), Europeana (19 museer), Wikidata (6 museer), Paris Musées (12 museer) og Joconde, det franske kulturministeriums museumsdatabase (495 museer). Billederne tilhører deres rettighedshavere.

Afsnit

  • Kort
  • Søgning
  • Samling
  • Mesterværker
  • Udstillet nu
  • Kunstnere

Mere

  • Museer & gallerier
  • Udstillinger
  • Journal
  • Hvor data kommer fra
  • Privatliv & cookies
ForsideKortKatalog
  1. Samling/
  2. Museum of Modern Art/
  3. Composition with Color Planes 5
Composition with Color Planes 5, Piet Mondrian, 1917
Piet Mondrian, portrætPiet MondrianHolland, 1872–1944

Composition with Color Planes 5

1917 · Painting

Må man se det?

Ja, det tager imod

Museum of Modern Art

New York City, USA

SalMoMA, 5. etage, 508

Udstillet for publikum. Hvem der står inde for det, står nedenfor.

Kontrolleret
for 16 dage siden
Kilde
Museet
På kortetMuseets side

Oplysninger

1917 · 45 år gammel
18721944
Inventarnummer
1774.1967

Imens i livet hos Piet Mondrian

Hele livet
  1. 1912–1917

    The Cubist period

    Mondrian was eager to absorb the influence of Cubism but saw it as a port of call on his artistic journey rather than a destination; his Cubist period lasted from 1912 to 1917.

  2. 1914–1918

    The artists' colony at Laren

    During the war Mondrian stayed at the Laren artists' colony, where he met Bart van der Leck and Theo van Doesburg, both of whom were pursuing their own journeys toward abstraction.

  3. 1915

    Growing close to Theo van Doesburg

    In 1915 Mondrian grew close to the painter Theo van Doesburg, with whom he founded the De Stijl movement and the journal of the same name.

  4. 1915–1918

    Founding De Stijl with Van Doesburg

    With Theo van Doesburg Mondrian founded De Stijl, the journal of the De Stijl group, in which he first published essays defining his theory, which he called Neoplasticism.

  5. 1919–1920

    The first grid paintings

    From late 1919 Mondrian produced grid-based paintings, and in 1920 the style for which he became renowned began to appear: at first thin grey lines fading towards the edges of the canvas, with the forms filled with primary colours.

  6. 1919–1938

Mere af Piet Mondrian

Alle værker

I samme sal · MoMA, Floor 5, 508, Museum of Modern Art

Museets side

Return to Paris

In 1919 Mondrian left the Netherlands for Paris for the second and last time and at once turned to his studio: to hide its flaws he tacked large single-colour placards to the walls, accented by compositions of smaller coloured paper rectangles. From then on, periods of painting alternated with experiments in regrouping the papers on the walls.

I kataloget

MalerierOlieNederlandsk maleriModernisme1900-tallet

Kilder

  • Museum of Modern Art
  • Billede: Museum of Modern Art — © the artist or rights holder
Oostzijdse Mill along the River Gein by Moonlight, Piet Mondriaan, c. 1903

Oostzijdse Mill along the River Gein by Moonlight

c. 1903 · Rijksmuseum Amsterdam

Red Gladioli, Piet Mondrian, c. 1906

Red Gladioli

c. 1906 · Minneapolis Institute of Art

Tableau no. 2 / Composition no. V, Piet Mondrian, 1914

Tableau no. 2 / Composition no. V

1914 · Museum of Modern Art

Composition C, Piet Mondrian, 1920

Composition C

1920 · Museum of Modern Art

Composition with Red, Blue, Black, Yellow, and Gray, Piet Mondrian, 1921

Composition with Red, Blue, Black, Yellow, and Gray

1921 · Museum of Modern Art

Tableau No. IV; Lozenge Composition with Red, Gray, Blue, Yellow, and Black, Piet Mondrian, c. 1924/1925

Tableau No. IV; Lozenge Composition with Red, Gray, Blue, Yellow, and Black

c. 1924/1925 · National Gallery of Art

Composition No. II, with Red and Blue, Piet Mondrian, 1929 (original date partly obliterated; mistakenly repainted 1925 by Mondrian)

Composition No. II, with Red and Blue

1929 (original date partly obliterated; mistakenly repainted 1925 by Mondrian) · Museum of Modern Art

Tableau I: Lozenge with Four Lines and Gray, Piet Mondrian, 1926

Tableau I: Lozenge with Four Lines and Gray

1926 · Museum of Modern Art

Suprematist Painting, Kazimir Malevich, 1916-17

Kazimir Malevich

Suprematist Painting, 1916-17

Fish, Constantin Brancusi, Paris 1930

Constantin Brancusi

Fish, Paris 1930

Young Bird, Constantin Brancusi, Paris 1928

Constantin Brancusi

Young Bird, Paris 1928

Bird in Space, Constantin Brancusi, 1928

Constantin Brancusi

Bird in Space, 1928

Socrates, Constantin Brancusi, 1922

Constantin Brancusi

Socrates, 1922

The Newborn, Constantin Brancusi, version I, 1920

Constantin Brancusi

The Newborn, version I, 1920

Endless Column, Constantin Brancusi, version I, 1918

Constantin Brancusi

Endless Column, version I, 1918

Maiastra, Constantin Brancusi, 1910-12

Constantin Brancusi

Maiastra, 1910-12