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  1. Samling/
  2. Museum of Modern Art/
  3. Cobham Park
Cobham Park, Roger Fenton, 1857
Roger Fenton, portrætRoger FentonStorbritannien, 1819–1869

Cobham Park

1857 · Photograph

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Museum of Modern Art

New York City, USA

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Museet
På kortetMuseets side

Oplysninger

1857 · 38 år gammel
18191869
Inventarnummer
611.1941

I kataloget

FotografierAlbuminaftrykRealisme1800-tallet

Kilder

  • Museum of Modern Art
  • Billede: Museum of Modern Art — © the artist or rights holder

Imens i livet hos Roger Fenton

Hele livet
  1. 1855

    Cholera, heat and broken ribs in the Crimea

    Despite the summer heat, breaking several ribs in a fall, suffering from cholera (the effects of which will contribute to his early death) and becoming depressed at the carnage he witnesses at Sevastopol, Fenton manages to make more than 350 usable large-format negatives.

  2. c. 1855

    An exhibition of 312 prints

    Soon after his return an exhibition of 312 prints goes on show in London, and in the following months at various places across the country; Fenton also shows them to Queen Victoria and Prince Albert and to Emperor Napoleon III in Paris. He is nevertheless disappointed that sales are less than he expected.

  3. 1855

    The camera in the Crimea: no dead, no wounded

    His bulky equipment and the long exposures of the time let Fenton photograph only stationary, mostly posed subjects; he avoids pictures of dead, injured or mutilated soldiers. His images of people include a woman working as a vivandière.

  4. 1855

    The death of his daughter Ann

    In 1855 Ann dies, the second of three of Fenton's children to die in these years.

  5. 8 March – 22 June 1855

    Fenton at Balaklava

    Fenton sets off aboard HMS Hecla in February, lands at Balaklava on 8 March and stays until 22 June, taking Marcus Sparling as his photographic assistant, a servant known as William, and a large horse-drawn van of equipment.

  6. September 1855

    “Panorama of the Plateau of Sebastopol” in London

    Thomas Agnew puts this photograph on show in London as one of a series of eleven collectively titled “Panorama of the Plateau of Sebastopol in Eleven Parts”. Fenton titles it “The Valley of the Shadow of Death”, a deliberate evocation of Psalm 23.

Mere af Roger Fenton

Alle værker
Omar Pasha, Roger Fenton, 1855

Omar Pasha

1855 · Metropolitan Museum of Art

Windermere, Roger Fenton, 1850s

Windermere

1850s · Ikke udstillet · National Gallery of Art

Peterborough, The West Front, Roger Fenton, 1850s

Peterborough, The West Front

1850s · Ikke udstillet · Museum of Modern Art

Westgevel met portaal van de kathedraal te Wells, Roger Fenton, c. 1850 - c. 1870

Westgevel met portaal van de kathedraal te Wells

c. 1850 - c. 1870 · Rijksmuseum Amsterdam

Moscow, Domes of Churches in the Kremlin, Roger Fenton, 1852

Moscow, Domes of Churches in the Kremlin

1852 · Ikke udstillet · National Gallery of Art

Studioportret van een onbekende jongen, Roger Fenton, 1852 - 1862

Studioportret van een onbekende jongen

1852 - 1862 · Rijksmuseum Amsterdam

Gezicht op de ruïne van de Abdij van Furness, Roger Fenton, c. 1852 - in or before 1862

Gezicht op de ruïne van de Abdij van Furness

c. 1852 - in or before 1862 · Rijksmuseum Amsterdam

Interieur van de ruïne van de Abdij van Furness, Roger Fenton, c. 1852 - in or before 1862

Interieur van de ruïne van de Abdij van Furness

c. 1852 - in or before 1862 · Rijksmuseum Amsterdam

Naboer på Museum of Modern Art

Museets side
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

Stjernenatten, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950