Бреславец

1877 · Painting · 10.5 × 18 cm

Kan det ses?

Ukendt

Hvor er »Бреславец« i dag? Samling: Tatarstan State Museum of Fine Arts, Kasan. Ukendt.

Kasan, Rusland

Ejeren er kendt; om værket er udstillet i dag, vides ikke.

Med museets ord — på russisk

На фоне синего неба, на отлогой возвышенности, невысокий каменный дом, слева высокие копны сена.

Tatarstan State Museum of Fine Arts

Ruslands statslige katalog over museumsfonden
Billede: Tatarstan State Museum of Fine Arts — © Государственный музей изобразительных искусств Республики Татарстан · Госкаталог музейного фонда РФ

1876
Volunteer in the Serbian-Turkish War
Returning to Russia in 1876, Polenov went off to the Serbian-Montenegrin-Turkish War in the army of General Chernyayev; for his part in the fighting he was awarded the Serbian Medal for Bravery and the Order of the Cross of Takovo.
1876
Title of Academician
The painting The Arrest of the Comtesse d'Etremont, painted in Paris, secured Polenov the title of academician of the Imperial Academy of Arts in 1876.
1877
Artist in the Russo-Turkish War
In 1877, during the Russo-Turkish War, Polenov was attached to the staff of the Ruse detachment under the command of the tsesarevich, the future Alexander III; he sent sketches and studies to the illustrated magazine Pchela (The Bee).
1877
Move to Moscow
In 1877 Polenov settled in Moscow; from June 1877 to July 1878 he rented an apartment in a wing of the Baumgarten estate at the corner of Trubnikovsky and Durnovsky lanes, where he found the motif of Moscow Courtyard.
1878
Moscow Courtyard at the 6th Peredvizhniki Exhibition
The painting Moscow Courtyard was shown at the 6th exhibition of the Peredvizhniki in Moscow in 1878 and acquired by Pavel Tretyakov; it became a major milestone in the development of Russian painting on the path toward the mood landscape.
from 1879
Full Member of the Peredvizhniki
From 1879 Polenov was a full member of the Society for Travelling Art Exhibitions (Peredvizhniki); he gained fame as a master of the epic landscape.