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  1. Samling/
  2. Museum of Modern Art/
  3. Air Attack (Fliegerbombe)
Air Attack (Fliegerbombe), George Grosz, 1915
Grosz, George, portrætGrosz, GeorgeTyskland, 1893–1959

Air Attack (Fliegerbombe)

1915 · Drawing

Må man se det?

Tager ikke imod for tiden

Museum of Modern Art

New York City, USA

Det hører til samlingen, men er ikke udstillet for tiden.

Kontrolleret
for 16 dage siden
Kilde
Museet
På kortetMuseets side

Oplysninger

1915 · 22 år gammel
18931959
Inventarnummer
14.1967

I kataloget

Tegninger & akvarellerTuschModernisme1900-tallet

Kilder

  • Museum of Modern Art
  • Billede: Museum of Modern Art — © the artist or rights holder

Imens i livet hos Grosz, George

Hele livet
  1. 1912–1913

    Paris: Daumier and Toulouse-Lautrec

    In Paris Grosz becomes acquainted with the newest art and discovers the graphic work of Daumier and Toulouse-Lautrec.

  2. 1912–1916

    The Berlin College of Arts and Crafts, Orlik's class

    From 1912 Grosz studies at the Berlin College of Arts and Crafts under Emil Orlik, until 1916 or, by other accounts, 1917.

  3. November 1914

    Volunteering to avoid the front

    In November 1914 Grosz volunteers for military service, hoping that by pre-empting conscription he will avoid being sent to the front.

  4. 1915–1917 · Bopæl

    Steglitz

  5. 1916

    A new name: Georg Groß becomes George Grosz

    To 'de-Germanise' and internationalise his name, Grosz changes its spelling: Georg becomes the English 'George' and the German 'ß' in his surname is replaced by 'sz'. It is a protest against German nationalism and a romantic enthusiasm for America, drawn from the books of James Fenimore Cooper, Bret Harte and Karl May; his friend and collaborator Helmut Herzfeld likewise becomes John Heartfield at the same time.

  6. 1916

    Drawings in the Berlin magazine “The New Youth”

    In mid-1916 Grosz's drawings appear in the Berlin magazine The New Youth; he soon attracts attention, several well-known critics and publicists write about him, and editions of his drawings are published. The main subject he chooses is the life of Berlin, with its immorality and whirl of entertainments and vices.

Mere af Grosz, George

Alle værker
The Poet Max Herrmann-Neisse, George Grosz, 1927

The Poet Max Herrmann-Neisse

1927 · Museum of Modern Art

Self-Portrait with a Model, George Grosz, 1928

Self-Portrait with a Model

1928 · Museum of Modern Art

A Woman Walking to the Left, George Grosz

A Woman Walking to the Left

Ikke udstillet · National Gallery of Art

Two Men Watching a Couple (Zwei Männer in Betrachtung eines Paares), George Grosz, 1911

Two Men Watching a Couple (Zwei Männer in Betrachtung eines Paares)

1911 · Ikke udstillet · Museum of Modern Art

Studies of a Male Nude, George Grosz, 1912

Studies of a Male Nude

1912 · Ikke udstillet · National Gallery of Art

The End of the Road (Out of Fear of Starvation) [Das Ende des Weges (Aus Nahrungssorgen)], George Grosz, 1913

The End of the Road (Out of Fear of Starvation) [Das Ende des Weges (Aus Nahrungssorgen)]

1913 · Ikke udstillet · Museum of Modern Art

The Spider (Die Spinne), George Grosz, 1914

The Spider (Die Spinne)

1914 · Ikke udstillet · National Gallery of Art

The Spider (Die Spinne), George Grosz, 1914

The Spider (Die Spinne)

1914 · Ikke udstillet · National Gallery of Art

Naboer på Museum of Modern Art

Museets side
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

Stjernenatten, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950