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  1. Samling/
  2. Minneapolis Institute of Art/
  3. A Supplicant
A Supplicant, Pieter Rodermondt, c. 1630–40s
PPieter RodermondtHolland

A Supplicant

c. 1630–40s · Print

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Minneapolis Institute of Art

Minneapolis, USA

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i forgårs
Uændret siden
25. sep. 2026
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Museets egne samlingsdata
På kortetMuseets side

Om værket

This etching apparently shows an unidentified literary or historical scene, possibly from the Bible. An old man kneels pleading his case, before a high official who sits on a throne. A young man in a feathered cap and a bent-over old women witness the action. It is the work of Pieter Rodermondt, an artist from The Hague who was keenly interested in the art of Rembrandt.

Læs videre

The Supplicant employs several Rembrandtesque devices. The figures are animated and dressed in exotic clothing. With cocked heads and leaning postures they seem to be considering a knotty issue. The artist freed the men from static poses by drawing them with broken contours and selectively allowing their forms to dissolve into light. Strong chiaroscuro contrasts heighten the drama. The architecture is like a stage set, arbitrary, and not convincingly logical. Though not the breed that Rembrandt normally depicted, a small dog enlivens the foreground and adds to the sense of space.

Minneapolis Institute of Art

Oplysninger

Inventarnummer
2017.86.1

I kataloget

GrafikRaderingBarok1600-talletHolland

Kilder

  • Minneapolis Institute of Art: museets åbne data · hentet for 8 dage siden
  • Billede: Minneapolis Institute of Art — public domain

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Francisco de Goya

Self-Portrait with Dr. Arrieta, 1820

Study for Improvisation V, Vassily Kandinsky, 1910

Vasily Kandinsky

Study for Improvisation V, 1910

Tahitian Landscape, Paul Gauguin, 1891

Paul Gauguin

Tahitian Landscape, 1891

Chestnut Trees at Jas de Bouffan, Paul Cézanne, c. 1885–86

Paul Cézanne

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The Union of England and Scotland (Charles I as the Prince of Wales), Peter Paul Rubens, 1633–34

Peter Paul Rubens

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