A Herdsman with Three Cows by an Upland Pool, Thomas Gainsborough, mid-1780s
Thomas Gainsborough, portrætThomas GainsboroughStorbritannien, 1727–1788

A Herdsman with Three Cows by an Upland Pool

mid-1780s · Drawing

Kan det ses?

Ikke udstillet lige nu

Hvor er »A Herdsman with Three Cows by an Upland Pool« i dag? Samling: The Cleveland Museum of Art, Cleveland. Ikke udstillet lige nu. Kontrolleret 12. oktober 2026.

Det hører til samlingen, men er ikke udstillet for tiden.

Kontrolleret
Uændret siden
Kilde
Museet
Indlejr

Om værket

Although he was one of the most celebrated society portraitists of his day, landscape painting was Thomas Gainsborough’s love and lifelong pleasure. Here, delicate layers of watercolor, ink, oil paint, and chalk result in a jewel-like work on paper. The composition combines the rural scene of a herdsman and three cows with an imagined, majestic mountain view, mingling the pastoral with the sublime. The sheet was among a group of 14 landscape drawings that Gainsborough selected as a gift for a close friend.

The Cleveland Museum of Art

Oplysninger

Inventarnummer
2006.156

I kataloget

Kilder

Imens i livet hos Thomas Gainsborough

Hele livet
  1. 1774–1788

    The rivalry with Reynolds

    In London Gainsborough sets up his studio next to Christie's auction rooms, which he often visits. His London years are marked by rivalry with Joshua Reynolds, president of the Royal Academy.

  2. 1780

    His daughter Molly marries Johann Fischer

    In February 1780 his daughter Molly marries the musician Johann Christian Fischer, a friend of the painter, to Gainsborough's dismay: he has realised that Fischer is forming an attachment to Molly while flirting with Peggy. The marriage lasts only eight months, because of their discord and Fischer's deceit.

  3. 1783

    The Lake District with his friend Sam Kilderbee

    In 1783 Gainsborough travels with his friend Sam Kilderbee through the Lake District in north-west England.

  4. 1784

    A quarrel with the Academy over the hanging

    In 1784 Gainsborough is displeased with the way his pictures are hung at the Academy's exhibition and asks for them to be rehung lower; he is told that this goes against the general rule and harms the interests of other artists. He takes his pictures away and never again takes part in the Academy's exhibitions, holding exhibitions at his own house instead.

  5. 1784

    The first private exhibition at Schomberg House

    In 1784 Gainsborough holds his first private exhibition at Schomberg House. Among the works shown is the portrait of Frances Browne, Mrs John Douglas, reading a letter in a secluded, overgrown corner of a garden: the silvery violet tones of the clouds and the drapery tie the sitter to her surroundings.

  6. 2. august 1788

    Died

Alle værker

Også på The Cleveland Museum of Art

Museets side