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ART WIKI

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Samlinger: Art Institute of Chicago, Det Russiske Museum, Eremitagen, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pusjkinmuseet, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Statens Museum for Kunst, The Cleveland Museum of Art, Tretjakovgalleriet, Victoria and Albert Museum, Whitney Museum of American Art, Ruslands statskatalog over museumsfonden (274 museer), Europeana (19 museer), Wikidata (6 museer), Paris Musées (12 museer) og Joconde, det franske kulturministeriums museumsdatabase (495 museer). Billederne tilhører deres rettighedshavere.

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  1. Kunstnere/
  2. Hill and Adamson
HA

Skotland, Storbritannien

Hill and Adamson

Hill & Adamson was the first photography studio in Scotland, set up by painter David Octavius Hill and engineer Robert Adamson in 1843.

  • 6i kataloget
  • 6udstillet nu
  • 1samling
  • 1land

Hvor Hill and Adamson kan ses

  • New York City · 6 udstillet
VærkerLivKort
AlleUdstillet · 6I samlingerUvist
Three Unknown Boys and James Linton, Newhaven, Hill and Adamson, 1843–47

Three Unknown Boys and James Linton, Newhaven

1843–47 · Metropolitan Museum of Art

Study for the Disruption Picture: Signing of the Deed of Demission, Hill and Adamson, October 18, 1843

Study for the Disruption Picture: Signing of the Deed of Demission

October 18, 1843 · Metropolitan Museum of Art

Sir William Allen, Hill and Adamson, ca. 1845

Sir William Allen

ca. 1845 · Metropolitan Museum of Art

Edinburgh Monument, Hill and Adamson, ca. 1845

Edinburgh Monument

ca. 1845 · Metropolitan Museum of Art

McCulloch's Tomb, Greyfriars Churchyard, Hill and Adamson, ca. 1845

McCulloch's Tomb, Greyfriars Churchyard

ca. 1845 · Metropolitan Museum of Art

The Nasmyth Tomb, Greyfriars Churchyard, Hill and Adamson, ca. 1845

The Nasmyth Tomb, Greyfriars Churchyard

ca. 1845 · Metropolitan Museum of Art