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134,099 件作品 来自 168 座博物馆146 件正在展出全部清除

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Si son de otro linage. (Perhaps They Are of Another Breed.), pl. 61 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863Francisco de GoyaSi son de otro linage. (Perhaps They Are of Another Breed.), pl. 61 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863耶鲁大学美术馆
Moenippus, Francisco Goya, 1778–79Francisco de GoyaMoenippus1778–79耶鲁大学美术馆
El diestrísmo estudiante de Falces, embozado burla al toro con sus quiebros (The Very Skillful Student of Falces, Wrapped in his Cape, Tricks the Bull with the Play of his Body), Plate 14 from La tauromaquia, Francisco Goya, 1816Francisco de GoyaEl diestrísmo estudiante de Falces, embozado burla al toro con sus quiebros (The Very Skillful Student of Falces, Wrapped in his Cape, Tricks the Bull with the Play of his Body), Plate 14 from La tauromaquia1816耶鲁大学美术馆
Disparate de carnabal (Carnival Folly), also known as Alegrias antruejo, que mañana seras ceniza (Rejoice, Carnival, for Tomorrow Thou Will Be Ashes), from the series Los disparates (The Follies/Irrationalities), Francisco Goya, ca. 1816–19, published 1864 (first edition)Francisco de GoyaDisparate de carnabal (Carnival Folly), also known as Alegrias antruejo, que mañana seras ceniza (Rejoice, Carnival, for Tomorrow Thou Will Be Ashes), from the series Los disparates (The Follies/Irrationalities)ca. 1816–19, published 1864 (first edition)耶鲁大学美术馆
Barbarroxa, Francisco Goya, 1778Francisco de GoyaBarbarroxa1778耶鲁大学美术馆
Murió la verdad. (Truth Has Died.), pl. 79 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863Francisco de GoyaMurió la verdad. (Truth Has Died.), pl. 79 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863耶鲁大学美术馆
Nadie nos ha visto (No One Has Seen Us), pl. 79 from the series Los caprichos, Francisco Goya, 1797–98Francisco de GoyaNadie nos ha visto (No One Has Seen Us), pl. 79 from the series Los caprichos1797–98耶鲁大学美术馆
Al cementerio (To the Cemetery), from The Disasters of War, Francisco Goya, 1797–98, printed 1892Francisco de GoyaAl cementerio (To the Cemetery), from The Disasters of War1797–98, printed 1892耶鲁大学美术馆
Disparate ridiculo (Ridiculous Folly), also known as Andarse por las ramas (To Go Amongst the Branches), from the series Los disparates (The Follies/Irrationalities), Francisco Goya, ca. 1816–19, published 1864 (first edition)Francisco de GoyaDisparate ridiculo (Ridiculous Folly), also known as Andarse por las ramas (To Go Amongst the Branches), from the series Los disparates (The Follies/Irrationalities)ca. 1816–19, published 1864 (first edition)耶鲁大学美术馆
Espiró sin remedio. (There Was Nothing To Be Done and He Died.), pl. 53 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863Francisco de GoyaEspiró sin remedio. (There Was Nothing To Be Done and He Died.), pl. 53 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863耶鲁大学美术馆
Las mugeres dan valor. (The Women Give Courage.), pl. 4 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863Francisco de GoyaLas mugeres dan valor. (The Women Give Courage.), pl. 4 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863耶鲁大学美术馆
Algun partido saca. (He Gets Something out of It.), pl. 40 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863Francisco de GoyaAlgun partido saca. (He Gets Something out of It.), pl. 40 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863耶鲁大学美术馆
De qué sirve una taza? (What Is the Use of a Cup?), pl. 59 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863Francisco de GoyaDe qué sirve una taza? (What Is the Use of a Cup?), pl. 59 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863耶鲁大学美术馆
Escapan entre las llamas. (They Escape through the Flames.), pl. 41 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863Francisco de GoyaEscapan entre las llamas. (They Escape through the Flames.), pl. 41 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863耶鲁大学美术馆
Palenque de los moros hecho con burros para defenderse del toro embolado (The Moors Use Donkeys as a Barrier to Defend Themselves Against the Bull Whose Horns Have Been Tipped with Balls), Plate 17 from La tauromaquia, Francisco Goya, 1816Francisco de GoyaPalenque de los moros hecho con burros para defenderse del toro embolado (The Moors Use Donkeys as a Barrier to Defend Themselves Against the Bull Whose Horns Have Been Tipped with Balls), Plate 17 from La tauromaquia1816耶鲁大学美术馆
Sanos y enfermos (The Healthy and the Sick), Plate 57 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaSanos y enfermos (The Healthy and the Sick), Plate 57 from Los desastres de la guerra (The Disasters of War)1863耶鲁大学美术馆
Pedro Romero matando á toro parado (Pedro Romero Killing the Halted Bull), Plate 30 from La tauromaquia, Francisco Goya, 1816Francisco de GoyaPedro Romero matando á toro parado (Pedro Romero Killing the Halted Bull), Plate 30 from La tauromaquia1816耶鲁大学美术馆
No hay que dar voces. (It’s No Use Crying Out.), pl. 58 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863Francisco de GoyaNo hay que dar voces. (It’s No Use Crying Out.), pl. 58 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863耶鲁大学美术馆
Dios los cria y ellos se juntan (God Creates Them and They Join Up Together), from the series Los disparates (The Follies/Irrationalities), Francisco Goya, ca. 1816–19, published 1864 (first edition)Francisco de GoyaDios los cria y ellos se juntan (God Creates Them and They Join Up Together), from the series Los disparates (The Follies/Irrationalities)ca. 1816–19, published 1864 (first edition)耶鲁大学美术馆
El esforzado Rendon picando un toro, de cuya suerte murió en la plaza de Madrid (The Forceful Rendon Stabs a Bull with the Pique, from which Pass He Died in the Ring of Madrid), Plate 28 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaEl esforzado Rendon picando un toro, de cuya suerte murió en la plaza de Madrid (The Forceful Rendon Stabs a Bull with the Pique, from which Pass He Died in the Ring of Madrid), Plate 28 from La tauromaquia1876耶鲁大学美术馆
Lo peor es pedir (The Worst Is to Beg), Plate 55 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaLo peor es pedir (The Worst Is to Beg), Plate 55 from Los desastres de la guerra (The Disasters of War)1863耶鲁大学美术馆
El amor y la muerte (Love and Death), pl. 10 from the series Los caprichos, Francisco Goya, 1797–98, published 1799Francisco de GoyaEl amor y la muerte (Love and Death), pl. 10 from the series Los caprichos1797–98, published 1799耶鲁大学美术馆
Siempre sucede (It Always Happens), pl. 8 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–20, published 1863Francisco de GoyaSiempre sucede (It Always Happens), pl. 8 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War)1810–20, published 1863耶鲁大学美术馆
El mismo vuelca un toro en la plaza de Madrid (The Same Man Throws a Bull in the Ring at Madrid), Plate 16 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaEl mismo vuelca un toro en la plaza de Madrid (The Same Man Throws a Bull in the Ring at Madrid), Plate 16 from La tauromaquia1876耶鲁大学美术馆
Enterrar y callar (Bury Them and Keep Quiet), pl. 18 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–20, published 1863Francisco de GoyaEnterrar y callar (Bury Them and Keep Quiet), pl. 18 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War)1810–20, published 1863耶鲁大学美术馆
Desgracias acaecidas en el tendido de la plaza de Madrid, y muerte del alcalde de Torrejon (Dreadful Events in the Front Rows of the Ring at Madrid and Death of the Mayor of Torrejon), Plate 21 from La tauromaquia, Francisco Goya, 1816Francisco de GoyaDesgracias acaecidas en el tendido de la plaza de Madrid, y muerte del alcalde de Torrejon (Dreadful Events in the Front Rows of the Ring at Madrid and Death of the Mayor of Torrejon), Plate 21 from La tauromaquia1816耶鲁大学美术馆
Carlos V. lanceando un toro en la plaza de Valladolid (Charles V Spearing a Bull in the Ring at Valladolid), Plate 10 from La tauromaquia, Francisco Goya, 1816Francisco de GoyaCarlos V. lanceando un toro en la plaza de Valladolid (Charles V Spearing a Bull in the Ring at Valladolid), Plate 10 from La tauromaquia1816耶鲁大学美术馆
Las resultas (The Consequences), Plate 72 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaLas resultas (The Consequences), Plate 72 from Los desastres de la guerra (The Disasters of War)1863耶鲁大学美术馆
La que mal marida nunca le falta que diga (She Who Is Ill Wed Never Misses a Chance To Say So), pl. 7 from Los proverbios, Francisco Goya, ca. 1816–19, published 1864Francisco de GoyaLa que mal marida nunca le falta que diga (She Who Is Ill Wed Never Misses a Chance To Say So), pl. 7 from Los proverbiosca. 1816–19, published 1864耶鲁大学美术馆
El buitre carnívoro. (The Carnivorous Vulture.), pl. 76 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863Francisco de GoyaEl buitre carnívoro. (The Carnivorous Vulture.), pl. 76 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863耶鲁大学美术馆
Lo merecia (He Deserved It), Plate 29 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaLo merecia (He Deserved It), Plate 29 from Los desastres de la guerra (The Disasters of War)1863耶鲁大学美术馆
Tambien estos (These Too), Plate 25 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaTambien estos (These Too), Plate 25 from Los desastres de la guerra (The Disasters of War)1863耶鲁大学美术馆
Contra el bien general. (Against the Common Good.), pl. 71 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863Francisco de GoyaContra el bien general. (Against the Common Good.), pl. 71 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863耶鲁大学美术馆
El animoso Moro Gazul es el primero que lanceó toros en regla. (The Spirited Moor Gazul is the First to Spear Bulls According to the Rules), Plate 5 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaEl animoso Moro Gazul es el primero que lanceó toros en regla. (The Spirited Moor Gazul is the First to Spear Bulls According to the Rules), Plate 5 from La tauromaquia1876耶鲁大学美术馆
Yo lo vi (I Saw It), Plate 44 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaYo lo vi (I Saw It), Plate 44 from Los desastres de la guerra (The Disasters of War)1863耶鲁大学美术馆
Y son fieras. (And They Are Like Wild Deasts.), pl. 5 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863Francisco de GoyaY son fieras. (And They Are Like Wild Deasts.), pl. 5 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863耶鲁大学美术馆
Disparate de miedo (Folly of Fear), also known as Por temor no pierdas honor (Do Not Lose Honour Through Fear), from the series Los disparates (The Follies/Irrationalities), Francisco Goya, ca. 1816–19, published 1864 (first edition)Francisco de GoyaDisparate de miedo (Folly of Fear), also known as Por temor no pierdas honor (Do Not Lose Honour Through Fear), from the series Los disparates (The Follies/Irrationalities)ca. 1816–19, published 1864 (first edition)耶鲁大学美术馆
No quiren [sic] (They Don't Like It), pl. 9 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–1820, published 1863Francisco de GoyaNo quiren [sic] (They Don't Like It), pl. 9 from the series Los desastres de la guerra (The Disasters of War)1810–1820, published 1863耶鲁大学美术馆
Si amanece, nos vamos (When Day Breaks We Will Be Off), pl. 71 from the series Los caprichos, Francisco Goya, 1797–98, published 1799Francisco de GoyaSi amanece, nos vamos (When Day Breaks We Will Be Off), pl. 71 from the series Los caprichos1797–98, published 1799耶鲁大学美术馆
Desjarrete de la canalla con lanzas, medias-lunas, banderillas y otras armas (The Rabble Hamstring the Bull with Lances, Sickles, Banderillas and Other Arms), Plate 12 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaDesjarrete de la canalla con lanzas, medias-lunas, banderillas y otras armas (The Rabble Hamstring the Bull with Lances, Sickles, Banderillas and Other Arms), Plate 12 from La tauromaquia1876耶鲁大学美术馆
Fuerte cosa es! (That’s Tough!), Plate 31 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaFuerte cosa es! (That’s Tough!), Plate 31 from Los desastres de la guerra (The Disasters of War)1863耶鲁大学美术馆
Aun podrán servir (They Can Still Be of Use), pl. 24 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863Francisco de GoyaAun podrán servir (They Can Still Be of Use), pl. 24 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863耶鲁大学美术馆
Combat dans une voiture attelee de deux mulets (Fight in a Carriage Harnessed to Two Mules), Plate G from La tauromaquia (third edition), Francisco Goya, 1876Francisco de GoyaCombat dans une voiture attelee de deux mulets (Fight in a Carriage Harnessed to Two Mules), Plate G from La tauromaquia (third edition)1876耶鲁大学美术馆
Con razon ó sin ella (Rightly or Wrongly), pl. 2 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–1820, published 1863Francisco de GoyaCon razon ó sin ella (Rightly or Wrongly), pl. 2 from the series Los desastres de la guerra (The Disasters of War)1810–1820, published 1863耶鲁大学美术馆
Las camas de la muerte. (The Beds of Death.), pl. 62 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863Francisco de GoyaLas camas de la muerte. (The Beds of Death.), pl. 62 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863耶鲁大学美术馆
Contra el bien general (Against the Common Good), Plate 71 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaContra el bien general (Against the Common Good), Plate 71 from Los desastres de la guerra (The Disasters of War)1863耶鲁大学美术馆
Un caballero español en plaza quebrando rejoncillos sin auxilio de los chulos (A Spanish Mounted Knight in the Ring Breaking Short Spears Without the Help of Assistants), Plate 13 from La tauromaquia, Francisco Goya, 1816Francisco de GoyaUn caballero español en plaza quebrando rejoncillos sin auxilio de los chulos (A Spanish Mounted Knight in the Ring Breaking Short Spears Without the Help of Assistants), Plate 13 from La tauromaquia1816耶鲁大学美术馆
Otro modo de cazar á pie (Another Way of Hunting on Foot), Plate 2 from La tauromaquia, Francisco Goya, 1816Francisco de GoyaOtro modo de cazar á pie (Another Way of Hunting on Foot), Plate 2 from La tauromaquia1816耶鲁大学美术馆
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