Mary Cassatt美国, 1844–1926Woman Bathing
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《Woman Bathing》现在在哪里？ 芝加哥藝術博物館, 展厅 184, 芝加哥. 是，正在展出. 核实 2026年9月29日.
芝加哥, 美國
开放中· 17:00 闭馆
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关于作品
Mary Cassatt began a series of color prints in 1890 that demonstrate her close study of Japanese color woodblock prints. In Woman Bathing, Cassatt combined an intimate scene from daily life with dynamic formal elements—color, composition, pattern, and shape—inspired by similar choices in work by Japanese printmakers such as Utagawa Hiroshige. Here a woman stands over a wash basin, while the mirror catches part of her reflection. The multiple patterns—the green and pink stripes in her gown, the yellow and brown leaf decorations on the blue carpet, and the similar leaves on the jug—plus the blue-green wall and the curve of the woman’s exposed back infuse this quiet setting with a slightly off-kilter perspective.
芝加哥藝術博物館CC BY 4.0
作品信息
画面内容
已收入目录
出处
- 芝加哥藝術博物館
- 图片： 芝加哥藝術博物館 — CC0 / public domain (AIC image API)
Mary Cassatt当时的生活
完整生平1890s
Mentor to young Americans
The 1890s are the busiest and most creative period of Mary’s life: young American artists seek her advice and support, and she introduces Lucy A. Bacon to Camille Pissarro.
1891
Colour prints inspired by Japanese woodcuts
Mary exhibits a series of highly original colour drypoints and aquatints, among them “Woman Bathing” and “The Coiffure”, inspired by the Japanese masters shown in Paris the year before. She was drawn to the simplicity and clarity of Japanese design and its skilful use of blocks of colour.
1891
Bertha Palmer commissions a mural
Chicago socialite Bertha Palmer asks Mary to paint a 12 × 58 ft mural on “Modern Woman” for the Women’s Building at the World’s Columbian Exposition of 1893. Palmer thought Cassatt an American treasure and could think of no one better.
