Wée-sheet, Sturgeon's Head, a Fox Warrior
关于这幅画
“The Sacs and Foxes, who were once two separate tribes, but with a language very similar, have, at some period not very remote, united into one, and are now an inseparable people, and go by the familiar appellation of the amalgam name of ‘Sacs and Foxes’ . . . These people have sold so much of their land lately, that they have the luxuries of life to a considerable degree, and may be considered rich; consequently they look elated and happy, carrying themselves much above the humbled manner of most of the semi-civilized tribes, whose heads are hanging and drooping in poverty and despair.” (Catlin, Letters and Notes, vol. 2, no. 56, 1841; reprint 1973)
史密森尼美國藝術博物館
作品信息
- 馆藏编号
- 1985.66.18
与此同时，在George Catlin的生活中
完整生平1830
First journey west with Governor Clark
He accompanies William Clark, governor of the Missouri Territory, on a diplomatic mission to Fort Crawford and then up the Mississippi into Native territory.
1830–1836
Five journeys into the American West
St. Louis was his base for the five trips and the steamer Yellowstone of the American Fur Company his first transport; he visited 48 tribes in all (other accounts say about fifty). On trips along the Arkansas, Red and Mississippi rivers, in Florida and around the Great Lakes he painted more than 500 pictures and gathered a substantial collection of artifacts.
1832
Up the Missouri to Fort Union
He ascends the Missouri more than 3,000 km to the Fort Union trading post (today on the North Dakota–Montana border) and spends several weeks among peoples little touched by European culture. Visiting eighteen tribes, among them the Pawnee, Omaha, Ponca, Mandan, Hidatsa, Cheyenne, Crow, Assiniboine and Blackfeet, he paints the most vivid portraits of his career.
March 1833
Prince Maximilian’s expedition sees his work
At Major O’Fallon’s country estate near St. Louis, members of Prince Maximilian of Wied-Neuwied’s scientific and ethnographic expedition look over the works from Catlin’s first Missouri expedition, among them the Swiss artist Karl Bodmer, who later painted many Native American portraits and scenes of his own.
spring 1834
Fort Gibson: portraits of Cherokee, Choctaw, Osage
