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  1. 藏品/
  2. 現代藝術博物館/
  3. Vir Heroicus Sublimis
Vir Heroicus Sublimis, Barnett Newman, 1950-51
Barnett Newman肖像Barnett Newman美国, 1905–1970

Vir Heroicus Sublimis

1950-51 · Painting

可否一睹真容?

可以,正在迎客

現代藝術博物館

纽约, 美國

展厅MoMA, Floor 4, 402

正对公众展出。由谁担保,见下文。

核实
8天前
出处
博物馆
在地图上看博物馆页面

关于这幅画

Vir Heroicus Sublimis is a 1951 painting by Barnett Newman, an American painter who was a key part of the abstract expressionist movement. Vir Heroicus Sublimis—"Man, Heroic and Sublime" in Latin—attempts to evoke a reaction from its viewers through its overwhelming scale (his largest canvas yet at the time he released it) and saturated color. The painting is part of the permanent collection of the Museum of Modern Art in New York City.

维基百科 · CC BY-SA

作品信息

1950-51 · 45岁
19051970
馆藏编号
240.1969

已收入目录

绘画油画美国绘画战后艺术20 世纪

出处

  • 現代藝術博物館
  • 图片: 現代藝術博物館 — © the artist or rights holder

与此同时,在Barnett Newman的生活中

完整生平
  1. 1948

    The Subjects of the Artist school

    With William Baziotes, Mark Rothko, Robert Motherwell and David Hare he founds the Subjects of the Artist School at 35 East 8th Street; its well-attended public lectures feature speakers such as Jean Arp, John Cage and Ad Reinhardt.

  2. spring 1949

    The Subjects of the Artist school closes

    The Subjects of the Artist School fails financially and closes in the spring of 1949.

  3. 1950

    First solo exhibition and crushing reviews

    Stages his first solo exhibition, at the Betty Parsons Gallery, and it is met with devastating criticism. Other accounts date the debut to 1948; soon after his first exhibition, at the Artists’ Session at Studio 35, Newman remarks that artists are, to a certain extent, making the world in their own image.

  4. 1950–1958

    An eight-year pause

    After the harsh reception he takes an eight-year pause, devoting it to developing his mastery; the result is the retrospective of 1958.

Barnett Newman的更多作品

全部作品
Onement I, Barnett Newman, 1948

Onement I

1948 · 現代藝術博物館

Yellow Painting, Barnett Newman, 1949

Yellow Painting

1949 · 国家美术馆

The Name II, Barnett Newman, 1950

The Name II

1950 · 国家美术馆

First Station, Barnett Newman, 1958

First Station

1958 · 国家美术馆

Third Station, Barnett Newman, 1960

Third Station

1960 · 国家美术馆

Fourth Station, Barnett Newman, 1960

Fourth Station

1960 · 国家美术馆

Be II, Barnett Newman, 1961/1964

Be II

1961/1964 · 国家美术馆

Fifth Station, Barnett Newman, 1962

Fifth Station

1962 · 国家美术馆

同馆近邻:現代藝術博物館

博物馆页面
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

星夜, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950